'Supermodels of the Rainforest': Neoimperialism, Intellectual Property and Cosmetics In this paper, I use the cd-rom, "Supermodels in the Rainforest," as a touchtone text for an analysis of the commodification of the rainforest in the discourse and industry of cosmetics. This cd-rom invites prospective male viewers to "explore the beauty of the rainforest" and to "learn about the importance of rainforest preservation" guided by eight "Supermodels" on a tour of the rainforest in Costa Rica. In an ironic reworking of ecofeminist logic which equates the body of the earth with the body of "woman," the cd-rom simultaneously employs the rhetoric of progressive environmentalism and promotes male visual control over and objectification of the images of women's bodies. Viewers are encouraged to "interact with incredible Supermodel photo sessions by controlling the camera and selecting from a variety of sequences." I situate this reading within the larger context of commodification of the rainforest in contemporary beauty discourse and in the recent proliferation of rainforest-themed western businesses, such as the Rainforest restaurants springing up in cities such as London and Washington, D.C. The discursive maneuvers displayed in this cd-rom reflect a larger trend of both discursive and material neo-imperialism within the discourse and industry of beauty, particularly that of cosmetics. A text such as this which positions the Supermodel as the appropriate tour guide for a preservationist look at the beauty of the rainforest is not all that surprising (even if still quite unsettling and oppressive) when considered in the context of a contemporary discourse of western beauty which rhetorically and visually places western, white, urban women within the milieu of the native woman of color, such as the jungle or desert. Moreover, companies such as Aveda and the Body Shop not only rhetorically draw upon environmentalist discourse and the trope of the native, natural habitat of the rainforest; they also turn the use values of indigenous knowledge into exchange values in the form of their products which contain ingredients extracted from non-western non-urban environments. I conclude with some reflections on the materialist implications of such texts and the social and economic relationships promoted and obscured by these texts, noting, for example, the real activist efforts of indigenous peoples on behalf of environments such as the rainforest. I show slides of pertinent images throughout my analysis.