ImageTexT: Interdisciplinary Comics Studies

ISSN: 1549-6732

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ImageTexT posts news and updates relevant to our issues, CFPs, and the comics program at UF. We also publish CFPs, event announcements, and book notices of interest to the comics studies community.To stay updated, subscribe to an RSS feed (learn about RSS), or sign up to receive announcements by email. To see your announcement here, please contact us.

[cfp] Deadline Extended: A Comic Of Her Own: Women Writing, Reading, and Embodying in Comics

Posted 30 Jan, 2013

10th Annual UF Comics Conference in association with ImageTexT March 15-17, 2013

New Deadline: February 3rd, 2013

NEW! Keynote Speaker: Jeffrey A. Brown

Keynote Speaker: Trina Robbins

Guest Artist: Leela Corman

Guest Artist: Megan Kelso

Trina Robbins' A Century of Women Cartoonists responds to a comics history which often forgets women. In the past few years, interest has grown around women working in the comics industry, perhaps best exemplified by Hillary Chute's 2010 Graphic Women. Similarly, academia has made many inroads into comics and gender through scholarship on superheroines in mainstream comics. Mike Madrid's 2009 The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines and Jennifer Stuller's 2010 Ink-Stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology, not to mention works by Trina Robbins and Lillian Robinson, attest to this growing interest in the representation of women in comics. However, these two scholarly fields rarely engage in meaningful dialog, despite their mutual interest: the examination of women in comics, whether behind the scenes or on the page. This conference hopes to facilitate this dialog and foster the scholarly exploration of intersections between women's writing in comics, women represented in comics, and the women who read them. To accommodate this goal, the conference will feature a mixture of formats: keynote lectures, workshops with guest artists, Q & A sessions, panel discussions, and traditional academic conference presentations.

We encourage scholarly submissions on any one of these topics, as well as proposals for papers that explore the apparent gaps between them. Possible topics include, but are not limited to:

  • Superheroines in comics—how super are they, really?
  • Good Girls vs. Bad Girls in mainstream comics
  • Women's writing as autobiography
  • What women want—explorations of titles that are popular with female readers
  • Queer women in comics
  • Girly men and manly women in comics—how is gender drawn?
  • Feminist readings of mainstream comics—are women still in the refrigerator?
  • Monstrous women in comics—sexed/gendered readings of monstrous, radioactive, and generally othered bodies in mainstream comics
  • Female sexuality in comics—from mainstream sex goddesses to queer alternatives
  • Studies of work by particular women writers and/or artists
  • Challenges to the "graphic women" canon
  • Girls in children's picture books and children's picture books "for girls"
  • Adaptation of comics superheroines to the big screen—representational differences and challenges in media adaptation
  • Women in animation—the female form in motion

Please send 250-word abstracts to imagetext@english.ufl.edu by February 3rd, 2013.

[cfp] UPDATE: Monsters in the Margins: The Horrors of Image/Text

Posted 29 Jan, 2013

NEW DEADLINE: February 15, 2013

Edited by Don Ault and Will Walter

In any crisis, whether economic or cultural, there is a sense of an unimaginable danger right around the corner. These unknown and unfathomable terrors fascinate the imagination and dramatically play out our anxieties in a more cognitively relatable form. We attempt to embody them, to transplant them, or to make them somehow tangible, yet despite the variety of attempts, the underlying anxiety persists. The narratives and forms into which we channel our terrors become our monsters. At the same time, the modes and means of this content production and distribution seem to loom, suggesting changes and mutations around the corner, and the outliers and disturbances in the status-quo make us wary of what's to come.

In the midst of the first true economic crisis of the 21st century, we return to these sites with renewed curiosity. How can we depict the sublime terror of our anxieties? How can we convey our unabashed horror through image and text, and communicate those feelings across venues and platforms? Why do we keep trying to re-imagine the same monstrous templates, especially when the tools of a craft are perpetually unstable?

The targeted goal of the "Monsters in the Margins" special issue from ImageTexT is to address these issues by welcoming any and all explorations into the representation of monsters in a imagetextual form. As a proceedings issue following 2012's Monster in the Margins UF Graduate Comics Organization conference, we invite papers from both panelists and speakers at the conference, as well as scholars who did not attend the conference. All articles relevant to the special issue topic will be judged on merit.

Continue reading ...

[cfp] Deadline Extended: A Comic Of Her Own: Women Writing, Reading, and Embodying in Comics

Posted 16 Jan, 2013

10th Annual UF Comics Conference in association with ImageTexT March 15-17, 2013

New Deadline: February 3rd, 2013

Keynote Speaker: Trina Robbins

Guest Artist: Leela Corman

Guest Artist: Megan Kelso

Trina Robbins' A Century of Women Cartoonists responds to a comics history which often forgets women. In the past few years, interest has grown around women working in the comics industry, perhaps best exemplified by Hillary Chute's 2010 Graphic Women. Similarly, academia has made many inroads into comics and gender through scholarship on superheroines in mainstream comics. Mike Madrid's 2009 The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines and Jennifer Stuller's 2010 Ink-Stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology, not to mention works by Trina Robbins and Lillian Robinson, attest to this growing interest in the representation of women in comics. However, these two scholarly fields rarely engage in meaningful dialog, despite their mutual interest: the examination of women in comics, whether behind the scenes or on the page. This conference hopes to facilitate this dialog and foster the scholarly exploration of intersections between women's writing in comics, women represented in comics, and the women who read them. To accommodate this goal, the conference will feature a mixture of formats: keynote lectures, workshops with guest artists, Q & A sessions, panel discussions, and traditional academic conference presentations.

We encourage scholarly submissions on any one of these topics, as well as proposals for papers that explore the apparent gaps between them. Possible topics include, but are not limited to:

  • Superheroines in comics—how super are they, really?
  • Good Girls vs. Bad Girls in mainstream comics
  • Women's writing as autobiography
  • What women want—explorations of titles that are popular with female readers
  • Queer women in comics
  • Girly men and manly women in comics—how is gender drawn?
  • Feminist readings of mainstream comics—are women still in the refrigerator?
  • Monstrous women in comics—sexed/gendered readings of monstrous, radioactive, and generally othered bodies in mainstream comics
  • Female sexuality in comics—from mainstream sex goddesses to queer alternatives
  • Studies of work by particular women writers and/or artists
  • Challenges to the "graphic women" canon
  • Girls in children's picture books and children's picture books "for girls"
  • Adaptation of comics superheroines to the big screen—representational differences and challenges in media adaptation
  • Women in animation—the female form in motion

Please send 250-word abstracts to imagetext@english.ufl.edu by February 3rd, 2013.

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