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"Preludium: Crumb, Barks, and Noomin: Re-Considering the Aesthetics of Underground Comics," Donald Ault, Figure 2
Figure 2. Most of Harvey Kurtzman's work, but especially his pseudo-realistic yet cartoony style in the context of anti-war comics such as Frontline Combat, paved the way for Underground artists. © 1952 Harvey Kurtzman
[This page is intended to be viewed in a pop-up window as an illustration to an essay. If you arrived here via a search engine or external link, please view the original essay, "Preludium: Crumb, Barks, and Noomin: Re-Considering the Aesthetics of Underground Comics."