ImageTexT: Interdisciplinary Comics Studies

ISSN: 1549-6732

ImageTexT is a peer-reviewed, open access journal dedicated to the interdisciplinary study of comics and related media. We are published by the English Department at the University of Florida with support from the College of Liberal Arts and Sciences. Our content is available free of charge, and regular issues of ImageTexT will be published three times per year.

 
 

Past Issues

Volume 7 (2013-2014)

Volume 6 (2011 - 2013)

Volume 5 (2010 - 2011)

Volume 4 (2008 - 2009)

Volume 3 (2006 - 2007)

Volume 2 (2005 - 2006)

Volume 1 (2004 - 2005)

Editorial Board

  • Donald Ault Founder and Editor
  • Anastasia Ulanowicz Associate Editor

Editorial Advisory Board

  • Fredric Jameson
  • W.J.T. Mitchell
  • Jerome J. McGann

Editorial Review Board

  • Martin Barker
  • Scott Bukatman
  • Richard Burt
  • Sean Carney
  • Will Eisner (in memoriam)
  • Ian Gordon
  • Terry Harpold
  • Charles Hatfield
  • M. Thomas Inge
  • John Lent
  • Jeffery Klaehn
  • David Kunzle
  • Joseph Murphy
  • Scott Nygren (in memoriam)
  • Derek Parker Royal
  • Maureen Turim
  • Roger Sabin
  • Joseph Witek
  • Julian Wolfreys
  • Phil Wegner

Announcement: The Sequential Artists Workshop

A new comix art school, The Sequential Artists Workshop, is soon to open in Gainesville, FL. Please see the website at http://www.sequentialartistsworkshop.org/ for details. The founders of the Sequential Artists Workshop, also called SAW, are running a fundraiser at http://www.indiegogo.com/Creating-The-Sequential-Artists-Workshop.

The following is an excerpt from a letter sent by the school's founders, who include Tom Hart and Leela Corman:

We're starting this school because we recognize more and more the need for intensive training in this artform, and also want to see the good, interesting adventurous artists out there multiply and flourish. That's why we're calling it The Sequential Artists Workshop: our mission is to train and support artists.
The school is being founded by Tom Hart, who has taught cartooning at the School of Visual Arts in New York City for 10 years, and has helped countless amazing students at SVA become artists. Tom says, "Cartooning and graphic novels are becoming bigger and bigger every day. I tutor and teach more and more people who are fascinated by this medium but donít know itís workings or donít know its history, or who just need time and mentoring to practice, learn and work. We want to be a place to for those people to work, to learn the form and to become sequential artists."

You can see the letter in full on our announcement of the Workshop on the ImageTexT News Feed. We at ImageTexT hope that you will extend support to this exciting new organization.

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[cfp] CALL FOR BOOK CHAPTERS

Posted 31 Oct, 2014

Cultures of Comics Work

Editors: Casey Brienza and Paddy Johnston

"All artistic work, like all human activity, involves the joint activity of a number, often a large number, of people. Through their cooperation, the art work we eventually see or hear comes to be and continues to be. The work always shows signs of that cooperation," wrote sociologist Howard Becker in his seminal monograph on cultural production Art Worlds. Comic art is no exception to Becker's basic insight. Writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, retailers, and countless others are both directly and indirectly involved in the creative production of what is commonly thought of as the comic book.

Yet comics scholars all too often advance a narrow auteurist vision of production in their research. Names such as Art Spiegelman, Alan Moore, Neil Gaiman, and Osamu Tezuka continue loom large in the intellectual firmament, while, despite recent calls for sociological approaches to comics scholarship, the large numbers of people without whom no comic would exist in the first place are routinely overlooked. A clear focus upon these people and the contributions of their labor is therefore long overdue and absolutely necessary to advance the boundaries of the theoretical and methodological study of comics. After all, how are we to understand any work of comic art if we know nothing about the myriad varieties of cultural work that went into its creation?

This anthology takes as its problematic the tensions between the artistic ideal and the realities of contemporary cultural production and builds upon preliminary work mapping out this important but underexplored area of inquiry in the "Comics & Cultural Work" Special Theme Month which ran through December 2013 at Comics Forum (http://comicsforum.org/comics-forum-archives/website-archive/comics-and-cultural-work). Chapters addressing the theme of cultures of comics work outlined in the previous paragraphs are solicited, with a view toward the publication of a multi-authored volume consisting of between 12-14 chapters. A series editor for a well-known academic press has expressed preliminary interest in this project.

Continue reading ...

[cfp] Theme issue on Atlantis and other mythical lost island civilizations

Posted 31 Oct, 2014

Shima: The International Journal of Research into Island Cultures <www.shimajournal.org> invites submissions for a special issue concerning representations of Atlantis and/or other lost island civilizations.

Topics might include:

  • Representations of Atlantis in popular culture
  • Reflections on the concept of Atlantis and/or why islands are often considered as the locations for mythical lost island cultures

Deadline for submissions — June 1st 2015 (NB the editors would welcome expressions of interest as soon as possible)

Special issue editors: Helen Dawson hdawson@zedat.fu-berlin.de and Philip Haywardprhshima@gmail.com

[cfp] QUEERS & COMICS Ė The first-ever university-based LGBTQ comics conference

Posted 07 Oct, 2014

Presented by CLAGS: The Center for LGBTQ Studies

Location: The Graduate Center, City University of New York, 365 Fifth Avenue, New York, NY

Date: May 7-8, 2015

Keynote Speakers: Howard Cruse and Alison Bechdel

Call for Proposals
Proposal Submission Deadline: November 3, 2014
Notifications by December 15

MORE INFO:

http://www.clags.org/queers-comics/call-for-proposals/

https://www.facebook.com/pages/Queers-and-Comics/612897655467461?ref=br_tf

Continue reading ...

[cfp] New Readings—Themed issue on Comics and Translation

Posted 06 Oct, 2014

New Readings is inviting articles on any aspect of the translation of comic literature, widely understood here to refer to literature that combines images with words, from single stand-alone panels, to comic strips and graphic novels. We are particularly interested in theoretical contributions and in articles whose scope transcends single texts or individual authors. However, work on practical aspects of comics translation and case studies will also be considered for publication. Topics can include, but are not limited to:

  • The comics translator's (in)visibility
  • Reading comics in translation
  • The limits of translatability
  • Translation and comics genre
  • Dialect, sociolect and idiolect in comics translation
  • Standards and conventions of comics translation
  • Translating sound effects
  • Translating images
  • Software-based comics translation
  • Spatial constraints in translating comics
  • Translating comics adaptations of literary classics
  • Reception of comics in translation
  • The market for comics translation
  • Case studies of comics translated between any of the following languages: English, French, German, Italian, Japanese, Portuguese and Spanish.

Contributions to the themed issue should reach New Readings by 10 November 2014. Submission is through the journal's online system and requires self-registration. Submissions must be prepared in accordance with the conventions of MLA style and be between 6,000 and 8,000 words long (including footnotes and a list of works cited). New Readings welcomes submissions in English, French, German, Italian, Portuguese and Spanish. Articles in languages other than English are considered for publication if the subject matter justifies the choice of language. If in doubt, and for all other queries, please contact the editors prior to submission: NewReadings@cardiff.ac.uk. For full submission details and a checklist, please see the journal's webpage: http://ojs.cf.ac.uk/index.php/newreadings/about/submissions

New Readings is a peer-reviewed (double-blind), open-access online journal based at Cardiff University (UK). We publish original research in the fields of literature, film and visual culture. Previous themed issues are: 'Images of Exile', 'Figures of the Self', 'Identity, Gender, Politics', 'Space and Identity', 'Travelling the Urban Space', 'Writing Difference', 'Alternative Voices in European Cinema', 'Truth Claims in Fiction Film' and 'Hamlet and Poetry'. See the website for all past issues: http://ojs.cf.ac.uk/index.php/newreadings/index/

[cfp] UPDATE: Submission deadline extended for special issue on the graphic novel

Posted 06 Oct, 2014
The submission deadline has been extended to November 1 for a special issue of Studies in the Novel focused on the graphic novel. The issue will be guest edited by Stephen E. Tabachnick, Professor of English at the University of Memphis, author of The Quest for Jewish Belief and Identity in the Graphic Novel (2014), and editor of Teaching the Graphic Novel (2009). Essays on any aspect of the graphic novel are welcome, ranging from close readings of individual works or the analysis of the oeuvre of a given writer/artist, to broader topics, such as consideration of the influence of a national tradition, a study of formal elements in several works, graphic novel adaptations, new methods of graphic novel analysis, or the teaching of graphic novels. For consideration, complete essays of no more than 9,000 words should be submitted by November 1, 2014 to Timothy Boswell, Managing Editor, at studiesinthenovel@unt.edu.

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All images are used with permission or are permissible under fair use. Please see our legal notice.

ImageTexT is published by the Department of English at the University of Florida.