ImageTexT is a peer-reviewed, open access journal dedicated to the interdisciplinary study of comics and related media. We are published by the English Department at the University of Florida with support from the College of Liberal Arts and Sciences. Our content is available free of charge, and regular issues of ImageTexT will be published three times per year.
A new comix art school, The Sequential Artists Workshop, is soon to open in Gainesville, FL. Please see the website at http://www.sequentialartistsworkshop.org/ for details. The founders of the Sequential Artists Workshop, also called SAW, are running a fundraiser at http://www.indiegogo.com/Creating-The-Sequential-Artists-Workshop.
The following is an excerpt from a letter sent by the school's founders, who include Tom Hart and Leela Corman:
We're starting this school because we recognize more and more the need for intensive training in this artform, and also want to see the good, interesting adventurous artists out there multiply and flourish. That's why we're calling it The Sequential Artists Workshop: our mission is to train and support artists.
The school is being founded by Tom Hart, who has taught cartooning at the School of Visual Arts in New York City for 10 years, and has helped countless amazing students at SVA become artists. Tom says, "Cartooning and graphic novels are becoming bigger and bigger every day. I tutor and teach more and more people who are fascinated by this medium but donít know itís workings or donít know its history, or who just need time and mentoring to practice, learn and work. We want to be a place to for those people to work, to learn the form and to become sequential artists."
You can see the letter in full on our announcement of the Workshop on the ImageTexT News Feed. We at ImageTexT hope that you will extend support to this exciting new organization.
Cultures of Comics Work
Editors: Casey Brienza and Paddy Johnston
"All artistic work, like all human activity, involves the joint activity of a number, often a large number, of people. Through their cooperation, the art work we eventually see or hear comes to be and continues to be. The work always shows signs of that cooperation," wrote sociologist Howard Becker in his seminal monograph on cultural production Art Worlds. Comic art is no exception to Becker's basic insight. Writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, retailers, and countless others are both directly and indirectly involved in the creative production of what is commonly thought of as the comic book.
Yet comics scholars all too often advance a narrow auteurist vision of production in their research. Names such as Art Spiegelman, Alan Moore, Neil Gaiman, and Osamu Tezuka continue loom large in the intellectual firmament, while, despite recent calls for sociological approaches to comics scholarship, the large numbers of people without whom no comic would exist in the first place are routinely overlooked. A clear focus upon these people and the contributions of their labor is therefore long overdue and absolutely necessary to advance the boundaries of the theoretical and methodological study of comics. After all, how are we to understand any work of comic art if we know nothing about the myriad varieties of cultural work that went into its creation?
This anthology takes as its problematic the tensions between the artistic ideal and the realities of contemporary cultural production and builds upon preliminary work mapping out this important but underexplored area of inquiry in the "Comics & Cultural Work" Special Theme Month which ran through December 2013 at Comics Forum (http://comicsforum.org/comics-forum-archives/website-archive/comics-and-cultural-work). Chapters addressing the theme of cultures of comics work outlined in the previous paragraphs are solicited, with a view toward the publication of a multi-authored volume consisting of between 12-14 chapters. A series editor for a well-known academic press has expressed preliminary interest in this project.
Shima: The International Journal of Research into Island Cultures <www.shimajournal.org> invites submissions for a special issue concerning representations of Atlantis and/or other lost island civilizations.
Topics might include:
Deadline for submissions — June 1st 2015 (NB the editors would welcome expressions of interest as soon as possible)
Presented by CLAGS: The Center for LGBTQ Studies
Location: The Graduate Center, City University of New York, 365 Fifth Avenue, New York, NY
Date: May 7-8, 2015
Keynote Speakers: Howard Cruse and Alison Bechdel
Call for Proposals
Proposal Submission Deadline: November 3, 2014
Notifications by December 15
New Readings is inviting articles on any aspect of the translation of comic literature, widely understood here to refer to literature that combines images with words, from single stand-alone panels, to comic strips and graphic novels. We are particularly interested in theoretical contributions and in articles whose scope transcends single texts or individual authors. However, work on practical aspects of comics translation and case studies will also be considered for publication. Topics can include, but are not limited to:
Contributions to the themed issue should reach New Readings by 10 November 2014. Submission is through the journal's online system and requires self-registration. Submissions must be prepared in accordance with the conventions of MLA style and be between 6,000 and 8,000 words long (including footnotes and a list of works cited). New Readings welcomes submissions in English, French, German, Italian, Portuguese and Spanish. Articles in languages other than English are considered for publication if the subject matter justifies the choice of language. If in doubt, and for all other queries, please contact the editors prior to submission: NewReadings@cardiff.ac.uk. For full submission details and a checklist, please see the journal's webpage: http://ojs.cf.ac.uk/index.php/newreadings/about/submissions
New Readings is a peer-reviewed (double-blind), open-access online journal based at Cardiff University (UK). We publish original research in the fields of literature, film and visual culture. Previous themed issues are: 'Images of Exile', 'Figures of the Self', 'Identity, Gender, Politics', 'Space and Identity', 'Travelling the Urban Space', 'Writing Difference', 'Alternative Voices in European Cinema', 'Truth Claims in Fiction Film' and 'Hamlet and Poetry'. See the website for all past issues: http://ojs.cf.ac.uk/index.php/newreadings/index/
All content is (c) ImageTexT 2004 - 2010 unless otherwise noted. All authors
and artists retain copyright unless otherwise noted.
All images are used with permission or are permissible under fair use. Please see our legal notice.