Recent Faculty Publications, N–Z

Journal articles, book chapters, reviews, and short films since 2000, books (including books edited) since 1995. Click on a thumbnail for more information about that title. (Pages will open in a new browser window.)

N O P Q R S T U V W X Y Z
Recent Faculty Publications, A–M

N

Scott Nygren
  • Time Frames: Japanese Cinema and the Unfolding of History. University of Minnesota Press, 2007.
  • (With Maureen Turim) “Reading the Tools, Writing the Image.” Iluminace 2 (2006), 49–70, special issue on Woody Vasulka.
 Time Frames: Japanese Cinema and the Unfolding of History

P

Judith W. Page
  • Review of Alyson Pendlebury’s Portraying ‘the Jew’ in First World War Britain.AJS Review 31 (2007): 427–30.
  • Review of Eitan Bar-Yosef’s The Holy Land in English Culture, 1799–1917: Palestine and the Question of Orientalism.Review of English Studies 57 (2006): 838–40.
  • “Reforming Honeysuckles: Hannah More’s Coelebs in Search of a Wife and the Politics of Women’s Gardens.” The Keats-Shelley Journal (2006): 111–36.
  • “Anglo-Jewish Identity and the Politics of Cultivation in Hazlitt, Aguilar, and Disraeli.” The Jews and British Romanticism: Politics, Religion, Culture. Palgrave, 2005. 149–64.
  • Imperfect Sympathies: Jews and Judaism in British Romantic Literature and Culture. Palgrave, 2004.
  • “‘Hath not a Jew eyes?’: Edmund Kean and the Sympathetic Shylock.” The Wordsworth Circle (2003): 216–19.
  • “Gender and Domesticity.” The Cambridge Companion to Wordsworth. Ed. Stephen Gill. Cambridge University Press, 2003. 125–41.
  • “Neatly-Penned Memorials: Dora Wordsworth’s Journal of 1828 and the Community of Authorship.” A/B: Autobiography Studies 17 (2002): 65–80.
  • “Hyman Hurwitz’s Hebrew Tales (1826): Redeeming the Talmudic Garden.” British Romanticism and the Jews: History, Culture, Literature. Ed. Sheila A. Spector. Palgrave, 2002. 197–213.
  • “Maria Edgeworth’s Harrington: From Shylock to Shadowy Peddlers.” The Wordsworth Circle 32 (2001): 9–13.
  • “‘Nor yet redeemed from scorn’: Wordsworth and the Jews.” The Journal of English and Germanic Philology. (October 2000): 537–54.
  • Wordsworth and the Cultivation of Women. University of California Press, 1995.
 Wordsworth and the Cultivation of Women Imperfect Sympathies: Jews and Judaism in British Romantic Literature and Culture

James Paxson
  • (Editor) Exemplaria.
  • “Triform Chaucer: Deconstruction, Psychoanalysis, Historicism and Chaucer’s Troilus and Criseyde.” MLA Approaches to Teaching Chaucer’s Troilus and Criseyde and the Minor Poems. Eds. Tison Pugh and Angela Weisl. Modern Languages Association, 2006. 127–32.
  • “The Allegorical Construction of Female Feeling and Forma: Gender, Diabolism and Personification in Hildegard of Bingen’s Ordo Virtutum.” From Laughter to Lament: Women’s Performance of Emotion in Medieval and Early Modern Europe. Ed. Lisa Perfetti. University Press of Florida, 2005. 43–62.
  • “Historicizing Paul De Man’s Master Trope Prosopopeia: Belgium’s Trauma of 1940, the Nazi Volkskörper, and Versions of the Allegorical Body Politic.” Historicizing Theory. Ed. Peter C. Herman. State University of New York Press, 2004. 69–97.
  • “Crossing De Man with Althusser: Chiasmus and the Literary Theory of Michael Sprinker.” The Minnesota Review N.S. 58–60 (2003): 167–72.
  • Review of Interpretation and Allegory: Antiquity to the Modern Period, ed. Jon Whitman (Brill, 2000). Speculum 78 (2003): 1423–25.
  • “Sick of Allegory: A Response to Lawrence Clopper’s ‘Langland and Allegory, A Proposition’.” The Yearbook of Langland Studies 15 (2001): 47–59.
  • “Revisiting the Deconstruction of Narratology: Master Tropes of Narrative Embedding and Symmetry.” Style 35 (2001): 126–50.
  • “(Re)Facing Prosopopeia and Allegory in Contemporary Theory and Iconography.” Studies in Iconography 22 (2001): 1–25.
  • “Shakespeare’s Medieval Devils and Joan La Pucelle in 1 Henry 6: Semiotics, Iconography, and Feminist Criticism.” Henry VI: Critical Essays. Ed. Thomas Pendleton. Routledge, 2001. 127–55.
  • “Inventing the Subject and the Personification of Will in Piers Plowman: Rhetorical, Erotic, and Ideological Origins and Limits in Langland’s Allegorical Poetics.” William Langland: A Book of Essays. Ed. Kathleen Hewett-Smith. Routledge, 2001. 195–231.
  • Review of New Historicism and Cultural Materialism, by John Brannigan (St Martin’s, 1998). Clio 29 (2000): 232–40.
  • (Ed. with Cynthia Gravlee)Desiring Discourse: The Literature of Love, Ovid Through Chaucer. Susquehanna/AUP, 1998.
  • (Ed. with Lawrence M. Clopper and Sylvia Tomasch)The Performance of Middle English Culture: Essays on Chaucer and the Drama in Honor of Martin Stevens. Boydell & Brewer, 1998.
 Exemplaria

Padgett Powell
  • Mrs. Hollingsworth’s Men. Houghton-Mifflin, 2000.
  • Edisto Revisited. Henry Holt & Company, 1996.
 Mrs. Hollingsworth’s Men Edisto Revisited

R

Robert Ray
  • “Film Studies and the Problems of the New Century.” New England Review 27.4 (2006): 106–20.
  • “Critical Senility vs. Overcomprehension: Rock Criticism and the Lesson of the Avant-Garde.” Pop Music and the Press. Ed. Steve Jones. Temple University Press, 2002. 72–78.
  • “The Automatic Auteur, or, A Certain Tendency in Film Criticism.” Directed by Allen Smithee. Eds. Jeremy Braddock and Stephen Hock. University of Minnesota Press, 2001. 51–75.
  • How a Film Theory Got Lost, and Other Mysteries in Cultural Studies. Indiana University Press, 2001.
  • “Mystery Trains.” Sight and Sound, November 2000: 12–13.
  • The Avant-Garde Finds Andy Hardy. Harvard University Press, 1995.
The Avant-Garde Finds Andy Hardy How a Film Theory Got Lost and Other Mysteries of Cultural Studies

Mark A. Reid
  • Review of Krin Gabbard, Black Magic: White Hollywood and African American Culture. Film Quarterly 61.1 (2007).
  • “Dialogic Modes of Representing Africa(s): Womanist Film.” The Womanist Reader: The First Quarter Century of Womanist Thought. Ed. Layli Philips. Routledge, 2006: 193–206. Rpt. of 1991 article.
  • Black Lenses, Black Voices: African American Film Now. Rowman and Littlefield Publishers, 2005.
  • “Haile Gerima: ‘Sacred shield of culture.’” Contemporary American Independent Film: From the Mainstream to the Margins. Eds. Chris Holmlund and Justin Wyatt. Routledge, 2004. 141–53.
  • “‘Spike’ Shelton Jackson Lee.” African American National Biography. Eds. Henry Louis Gates, Jr. and Evelyn Higginbotham. Oxford UP, 2004.
  • “Paul Robeson: Songs of Freedom.” African Americans in Cinema: The First Half Century. Ed. Phyllis R. Klotman. University of Illinois Press, 2003.
  • “A Few Black Keys and Maori Tattoos: Re-reading Jane Campion’s The Piano in PostNegritude Time.” Quarterly Review of Film and Video 17.2 (2000): 107–16.
  • Review of Struggles for Representation: African-American Documentary Film and Video. American Literature 724 (2000): 894–95.
  • “New Wave Black Cinema in the 1990s.” Film Genre 2000: New Critical Essays. Ed. Wheeler Winston Dixon. State University of New York Press, 2000. 12–28.
  • Spike Lee’s ‘Do the Right Thing’. Cambridge University Press, 1997.
  • Postnegritude Visual and Literary Culture. State University of New York Press, 1997.
 Black Lenses, Black Voices: African American Film Now Spike Lee’s Do the Right Thing
Postnegritude Visual and Literary Culture

Mary Robison
  • Tell Me: Thirty Stories. Counterpoint Press, 2002.
  • Why Did I Ever: A Novel. Counterpoint Press, 2001.
 Why Did I Ever

Leah Rosenberg
  • “The Prose of Creolization: Brathwaite’s The Development of Creole Society and Subaltern Historiography.” Words, Sound and Power. Ed. Annie Paul. The University of West Indies Press, 2007.
  • Nationalism and the Formation of Caribbean Literature. Palgrave Macmillan, 2007.
  • “Modern Romances: The Short Stories of Una Marson’s Cosmopolitan (1928–1931).” The Journal of West Indian Literature 12.1–2 (2004): 170–83.
  • “Caribbean Models for Modernism in the Work of Claude McKay and Jean Rhys.” Modernism/Modernity 11.2 (2004): 219–38.
  • “Una Marson’s “Pocomania” (1938): Class, Gender, and the Pitfalls of Cultural Nationalism.” Essays in Theatre Studies 20.1 (2004): 27–42.
  • “Man Sweet, Woman Stronger: Calypso’s War with Yard Fiction.” The Journal of West Indian Literature 9.2 (2001): 18–50.
 Nationalism and the Formation of Caribbean Literature

Peter L. Rudnytsky
  • “Dissociation and Decapitation.” With a response by David Norbrook. Trauma and Transformation: the Political Progress of John Bunyan. Ed. Vera J. Camden. Stanford University Press, 2008. 14–35.
  • Review of Judy Leopold Kantrowitz’s Writing about Patients: Responsibilities, Risks, and Ramifications. Journal of the American Psychoanalytic Association 55 (2007): 1401–15.
  • Review International Dictionary of Psychoanalysis, (Alain de Mijolla, ed., 3 vols.) Journal of the American Psychoanalytic Association 55 (2007): 371–79.
  • “True Confessions in Operation Shylock.” Philip Roth Studies 3 (2007): 26–43.
  • “Something Rotten in the Gator Nation.” The Gainesville Sun, September 17, 2006, p. 2G.
  • “Rescuing Psychoanalysis from Freud: The Common Project of Stekel, Jung, and Ferenczi.” Psychoanalysis and History 8 (2006): 123–57.
  • “Goodbye, Columbus: Roth’s Portrait of the Narcissist as a Young Man,” Twentieth-Century Literature 51 (2005): 25–42.
  • Review of Roger Willoughby’s Masud Khan: the Myth and the Reality. Journal of the American Psychoanalytic Association 53 (2005): 1365–71.
  • Reading Psychoanalysis: Freud, Rank, Ferenczi, Groddeck. Cornell University Press, 2002.
  • Psychoanalytic Conversations: Interviews with Clinicians, Commentators, and Critics. The Analytic Press, 2000.
  • (Ed. with Andrew Gordon)Psychoanalyses/Feminisms. State University of New York Press, 2000.
  • (With Antal Bókay and Patrizia Giampieri-Deutsch)Ferenczi’s Turn in Psychoanalysis. New York University Press, 2000.
 American Imago Psychoanalyses/Feminisms
Ferenczi's Turn in Psychoanalysis Psychoanalytic Conversations: Interviews with Clinicians, Commentators, and Critics
Reading Psychoanalysis: Freud, Rank, Ferenczi, Groeddel

S

Raúl Sánchez
  • The Function of Theory in Composition Studies. State University of New York Press, 2005.
  • “Composition’s Ideological Apparatus: A Critique.” JAC 21 (2001): 741–59.
 The Function of Theory in Composition Studies

Jodi Schorb
  • “Uncleanliness is Next to Godliness: Sexuality, Salvation, and the Early American Woman’s Execution Narrative.” Puritan Origins of American Sex: Religion, Sexuality, and National Identity in American Culture. Eds. Nicholas Radel, Tracy Fessenden, and Magdalena Zaborowsky. Routledge, 2000.
  • (With Tania Hammidi “Sho-Lo Showdown) “The Do’s and Don’ts of Lesbian Chic.” Tulsa Studies in Women’s Literature 19.2 (2000): 255–68.

Malini Johar Schueller
  • (Ed. with Ashley Dawson) “The Perils of Academic Freedom,” special issue of Social Text 25.1 (2007). “Area Studies and Multicultural Imperialism: The Project of Decolonizing Knowledge” also appears in the issue: 41–62.
  • (Ed. with Ashley Dawson) Exceptional State: Contemporary US Culture and the New Imperialism. Duke University Press, 2007.
  • “Orientalism.” American History Through Literature, 1820–1870. Eds. Janet Gabler-Hover and Robert Sattelmeyer. Scribner’s Press, 2006. 838–42.
  • “Analogy and (White) Feminist Theory: Thinking Race and the Color of the Cyborg Body.” Signs 31.1 (2005): 63–92.
  • “Claiming Postcolonial America: The Hybrid Asian-American Performances of Tseng Kwong Chi.” Asian North American Subjectivities: Beyond the Hyphen. Eds. Eleanor Ty and Donald C. Goellnicht. Indiana University Press, 2004. 170–85.
  • “Postcolonial American Studies.” American Literary History 16.1 (2004): 162–75.
  • “Articulations of African-Americanism in South Asian Postcolonial Theory: Globalism, Localism and the Question of Race.” Cultural Critique 55 (2003): 35–62.
  • (Ed. with Edward Watts) Messy Beginnings: Postcoloniality and Early American Studies. Rutgers University Press, 2003.
  • “Theorizing Ethnicity and Subjectivity: Maxine Hong Kingston’s Tripmaster Monkey and Amy Tan’s The Joy Luck Club.” Modern Critical Interpretation: Amy Tan’s The Joy Luck Club. Ed. Harold Bloom. Chelsea House, 2002.
  • “The Postcolonial Scene in the United States.” Edinburgh Encyclopaedia of Literary Criticism and Theory Since 1940. Ed. Julian Wolfreys. Edinburgh University Press, 2002. 550–58.
  • Review of Janet Gabler-Hoover’s Dreaming Black, Writing White: The Hagar Myth in American Cultural History. American Literature (2001): 192–94.
  • (Ed. and Intro.) David F. Door, A Colored Man Round the World. University of Michigan Press, 1999.
  • U.S. Orientalisms: Race, Nation and Gender in Literature, 1790–1890. University of Michigan Press, 1998.
 Messy Beginnings A Colored Man Round the World
Exceptional State: Contemporary U.S. Culture and the New Imperialism U.S. Orientalisms: Race, Nation and Gender in Literature, 1790–1890

R. Allen Shoaf
  • (Co-founding Editor) Exemplaria.
  • Shakespeare’s Theater of Likeness. New Academia Publishing, 2006.
  • Review of The Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony: Essays in Honor of Robert O. Payne (John M. Hill and Deborah M. Sinnreich-Levi, eds.) Studies in the Age of Chaucer 23 (2002): 555–59.
  • Review of Eric Jager’s The Book of the Heart. The Journal of English and Germanic Philology 101 (2002): 240–42.
  • Chaucer’s Body: The Anxiety of Circulation in “The Canterbury Tales.” University Press of Florida, 2001.
  • The Dante Encyclopedia, ed. Richard H. Lansing (New York: Garland, 2000). Articles on “Albero da Siena” (10); “Capocchio” (141); “Commedia: Allegory and Realism” (194–97); “Demophoön” (298); “Erichtho” (355–56); “Geri di Bello” (433); “Niccolo of Siena” (648); “Stricca” (800).
  • (Ed.) Thomas Usk: The Testament of Love. Medieval Institute Publications, 1998.
 Exemplaria Shakeseare’s Theater of Likeness
The Testament of Love Chaucer’s Body

Stephanie Smith
  • “Octavia Butler: A Retrospective.” Feminist Studies 33.2 (2007): 385–93.
  • Review of Reclaiming Authorship: Literary Women in America, 1850–1900. New England Quarterly (September 2007).
  • “Harriet Jacobs: A Case of Authentication.” The Cambridge Companion to The African American Slave Narrative. Ed. Audrey Fisch. Cambridge University Press, 2007).
  • “A Most Ambiguous Citizen: Samuel R. ‘Chip’ Delany.” American Literary History 19.2 (2006).
  • “Fashion.” American History through Literature, 1870–1920. Eds. Tom Quirk and Gary Scharnhorst. Scribner’s Press, 2006.
  • Household Words: Bloomers, Sucker, Bombshell, Scab, Nigger, Cyber. University of Minnesota Press, 2006.
  • “Melville and the Sea.” A Companion to American Fiction 1780–1865. Ed. Shirley Samuels. Blackwell, 2004.
  • “Genetics.” Glossalalia. Ed. Julian Wolfreys. Edinburgh University Press, 2003.
  • “Scab.” Keywords: A Journal of Cultural Materialism 4 (2003).
  • “Antebellum Politics and Women’s Writing.” The Cambridge Companion to 19th Century American Women’s Writing. Eds. Dale Bauer and Philip Gould. Cambridge University Press, 2002.
  • “Cyber(genetics).” Genealogie und Genetik. Akademie Verlag, November 2001.
  • “Bombshell.” Body Politics and the Fictional Double. Indiana University Press, 2000.
  • Conceived By Liberty: Maternal Figures and Nineteenth-Century American Literature. Cornell University Press, 1995.
  • Other Nature. St. Martin’s Press, 1995.
 Household Words Other Nature
Conceived By Liberty: Maternal Figures and Nineteenth-Century American Literature

Chris Snodgrass
  • “Wilde’s Salome: Turning ‘the Monstrous Beast’ into a Tragic Hero.” Oscar Wilde: The Man, His Writings, and His World. Ed. Robert N. Keane. AMS Press, 2003.
  • “A Review of Allison Pease’s Modernism, Mass Culture, and the Aesthetics of Obscenity.” English Literature in Transition, 1880–1920 46.1 (2003): 71–75.
  • “A Review of Daniel O. Bell’s A Pious Bacchanal: Affinities Between the Lives and Works of John Flaxman and Aubrey Beardsley.” Victorian Studies 44.4 (2002): 702–4.
  • “The Poetry of the 1890s.” Companion to Victorian Poetry. Eds. Richard Cronin, Alison Chapman and Anthony H. Harrison. Blackwell, 2002. 321–41.
  • “Rare Books Collection Helps New Scholarship on the Victorian ‘Yellow Nineties,’” Chapter One: Howe Society Newsletter (2001): 4–6.
  • “Beardsley Scholarship at his Centennial: Tethering or Untethering a Victorian Icon.” English Literature in Transition, 1880–1920 42.4 (2000): 363–99.
  • Aubrey Beardsley: Dandy of the Grotesque. Oxford University Press, 1995.
 Aubrey Beardsley: Dandy of the Grotesque

T

Roger Thompson
  • Filipino English and Taglish: Language Switching from Multiple Perspectives. John Benjamins Publishing, 2003.
  • “Too Old to Surf? Internet Training for Reluctant Teachers.” The Messenger: A Publication of Sunshine State TESOL of Florida 2 (2000): 15–16.
 Filipino English and Taglish: Language Switching from Multiple Perspectives

Robert Thomson
  • ““Dear Mr Walker’ – Gavin Greig’s Letters to William Walker of Aberdeen.” Folk Song: Tradition, Revival and Re-Creation. Eds. Ian Russell and David Atkinson. University of Aberdeen Press, 2004. 196–210.
  • (With Marie Nelson) “The Fabliau.” A Companion to Old and Middle English Literature. Eds. Laura Cooner Lambdin and Robert Thomas Lambdin. Greenwood Press, 2002. 255–75.

Maureen Turim
  • “The Interiority of Space: Desire and Maya Deren.”Avant-Garde Cinema. Eds. Alexander Graf and Dietrich Scheunemann. Editions Rodopi, 2008. 155–65.
  • “Women’s Films: Comedy, Drama, Romance.”Chick Flicks: Contemporary Women at the Movies. Eds. Suzanne Ferriss and Malory Young. Routlege Press, 2008. 26–40.
  • “Sounds, Intervals, and Startling Images in the Films of Abigail Child.” Women’s Experimental Cinema: Critical Frameworks. Ed. Robin Blaetz. Duke University Press, 2007.
  • “Art/Music/Video.com.” Medium Cool: Music Videos from Soundies to Cellphones. Eds. Roger Beebe and Jason Middleton. Duke University Press, 2007
  • “Napoléon.” The Cinema of France. Ed. Phil Powrie. Wallflower Press, 2006. 11–18.
  • “A Look at the Violence of Female Desire.” Women and Experimental Filmmaking. Eds. Jean Patrolle and Virgina Wright Wexman. University of Illinois Press, 2005.
  • “Remembering and Deconstructing: The Historical Flashback in Man of Marble and Man of Iron.” The Cinema of Andrzej Wajda: the Art of Irony and Defiance. Eds. Elizabieta Ostrowska and John Orr. Wallflower Press 2004. 93–102.
  • “Marina Abramovic’s Performance: Stresses on the Body and Psyche in Installation Art.” Camera Obscura 54 (2004): 99-118.
  • “Popular Culture and the Comedy of Manners: Clueless and Fashion Clues.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Eds. James Thompson and Suzanne Pucci. State University of New York Press, 2003.
  • “The Fantasy Image: Fixed and Moving.” The End Of Cinema As We Know It: American Film in the Nineties. Ed. Jon Lewis. State University of New York Press, 2002.
  • “Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects and Theories of Image Manipulation.” Wide Angle 21.1 (2002).
  • “Les Nuits fauves Confronts Postmodern Moralities.” IRIS (2002).
  • “Postmodern Metaphors and the Images of Thought.” Polygraph: An International Journal of Culture and Politics 13 (2001).
  • “The Trauma of History: Flashbacks upon Flashbacks” Screen 42.2 (2001).

James Twitchell
  • Shopping For God: How Christianity Went From in Your Heart to in Your Face. Simon & Schuster, 2007.
  • Where Men Hide (Photos by Ken Ross). Columbia University Press, 2006.
  • Branded Nation. Simon & Schuster, 2004.
  • Living It Up: America’s Love Affair With Luxury. Simon & Schuster, 2002.
  • Twenty Ads That Shook The World: The Century’s Most Groundbreaking Advertising. Crown Publishing, 2000.
  • Lead Us Into Temptation: The Triumph of American Materialism. Columbia University Press, 1999.
  • For Shame: The Loss of Common Decency in American Culture. St. Martin’s, 1997.
  • Adcult USA: The Triumph of Advertising in America. Columbia University Press, 1995.
 For Shame: The Loss of Common Decency in American Culture Branded Nation
Twenty Ads that Shook the World: The Century's Most Groundbreaking Advertising and How It Changed Us All Adcult USA: The Triumph of Advertising in America
Where Men Hide Lead Us Into Temptation: The Triumph of American Materialism
Living It Up: America's Love Affair with Luxury

U

Gregory L. Ulmer
  • “Image Heuretics.” Contemporary Poetics, ed. Louis Armand (Northwestern University Press, 2007): 233–55.
  • “Joseph Beuys.” Joseph Beuys: The Reader. Eds. Claudia Mesch and Viola Michely, MIT Press, 2007. Reprinted from Applied Grammatology (Johns Hopkins, 1985).
  • “Derrida in Miami (Miautre).”The European Legacy 12.4 (2007): 457–68.
  • Illogic of Sense: The Gregory Ulmer Remix. Eds. Darren Tofts and Lisa Gye. electronic book review / Alt X Press, 2007.
  • “Discourse of the Imaginary.” Exile of the Imaginary: Politics, Aesthetics, Love, catalog of an exhibition of the Generali Foundation, Vienna, January 18–April 29, 2007. Curated by Juli Carson. Sabine Breitwieser, 2007.
  • Electronic Monuments. University of Minnesota Press, 2006.
  • “Derrida Archive.” Poiesis 7 (2005): 58–63.
  • “Chora.” Glossalalia. Ed. Julian Wolfreys. Edinburgh University Press, 2003.
  • Internet Invention: From Literacy to Electracy. Longman Publishers, 2003.
  • “Design Education and Electracy.” Design Philosophy Papers 5 (2003).
  • “Soft Wishing Y (for 9/11).” artUS (Nov.–Dec. 2003): 34–35.
  • “Image Emergency,” Leonardo 36.3 (2003): 197–98.
  • “The Internet and Its Double: Voice in Electracy.” Theoretical and Conceptual Innovation in Digital Domains. Eds. Gunnar Liestol, et al. MIT Press, 2003. 91–113.
  • “Miami Miautre: Mapping the Virtual City (A Preview).” Journal of Visual Culture 1.3 (2002): 341–57.
  • “Reality Tables: Virtual Furniture.” Prefiguring Cyberculture: An Intellectual History. Ed. Darren Tofts. MIT Press, 2003. 110–29.
  • “The Upsilon Project: A Post-Tragic Testimonial.” Psychoanalysis and Performance. Eds. Patrick Campbell and Adrian Kear. Routledge, 2001. 203–17.
 Electronic Monuments Internet Invention: From Literacy to Electracy
Illogic of Sense

W

Sidney Wade
  • (Poetry Editor) Subtropics.
  • Stroke. Persea Books, 2008.
  • Guest Poetry Editor, Two Lines: World Literature in Translation 15 (2008)
  • Guest Editor, Translation Review 68 (2004).
  • Celestial Bodies. Louisiana State University Press, 2002.
  • Green. University of South Carolina Press, 1998.
  • From Istanbul. Yapi Kredi Yayinlar, 1998.
 From Istanbul Green
Subtropics Celestial Bodies
Stroke

Phillip Wegner
  • “Here or Nowhere: Utopia, Modernity, and Totality.”Utopia Method Vision: The Use Value of Social Dreaming. Eds. Tom Moylan and Raffaella Baccolini. Peter Lang, 2007.
  • “Recognizing the Patterns” New Literary History 38.1 (2007).
  • “The Pretty Woman Goes Global, Or, Learning to Love ‘Americanization’ in Notting Hill.” Genre 38 (2005).
  • “Periodizing Jameson, or, Notes toward a Cultural Logic of Globalization.” On Jameson: From Postmodernism to Globalization. Eds. Caren Irr and Ian Buchanan. SUNY Press, 2005.
  • “Utopian Fiction” and “Science Fiction.” Encyclopedia of Literature and Politics: Censorship, Revolution, and Writing. Ed. M. Keith Booker. Greenwood, 2005.
  • “Utopia.” A Companion to Science Fiction. Ed. David Seed. Blackwell, 2005.
  • “Postmodernism.” The Edinburgh Dictionary of Continental Philosophy. Ed. John Protevi.  Edinburgh University Press, 2005.
  • “Más allá de las clausuras de la guerra fría: repeticiones y revisiones en el ciclo Terminator.” LiberArte: La Revista Virtual del Colegio de Artes Liberales. Universidad San Francisco de Quito, 2004.
  • “October 3, 1951 to September 11, 2001: Periodizing the Cold War in DeLillo’s Underworld.” Amerikastudien/American Studies 49.1 (2004).
  • “Where the Prospective Horizon is Omitted: Naturalism and Dystopia in Fight Club and Ghost Dog.” Dark Horizons: Science Fiction and the Dystopian Imagination. Eds. Tom Moylan and Raffaella Baccolini. Routledge, 2003.
  • “Soldierboys for Peace: Cognitive Mapping, Space, and Science Fiction as World Bank Literature.” World Bank Literature. Ed. Amitava Kumar. University of Minnesota Press, 2003.
  • Imaginary Communities: Utopia, the Nation, and the Spatial Histories of Modernity. University of California Press, 2002.
  • “Spatial Criticism: Critical Geography, Space, Place, and Textuality.” Introducing Criticism at the Twenty-First Century. Ed. Julian Wolfreys. Edinburgh University Press, 2002.
  • “A Review of The Jameson Reader, by Fredric Jameson.” Eds. by Michael Hardt and Kathi Weeks. Utopian Studies 12.2 (2001).
  • “‘A Nightmare on the Brain of the Living’: Messianic Historicity, Alienations, and Independence Day.” Rethinking Marxism 12.1 (2000).
 Imaginary Communities: Utopia, the Nation, and the Spatial Histories of Modernity

Ed White
  • The Backcountry and the City: Colonization and Conflict in Early America. University of Minnesota Press, 2005.
  • “Invisible Tagkanysough.” PMLA (May 2005).
  • (With Michael J. Drexler) “Literary Histories.” A Companion to American Fiction 1780–1865. Ed. Shirley Samuels (Blackwell, 2004). 147–57.
  • (With Michael J. Drexler) “Colonial Studies 3.” American Literary History 16.4 (2004): 728–57.
  • “Carwin the Peasant Rebel.” Revising Charles Brockden Brown: Culture, Politics, and Sexuality in the Early Republic, eds. Philip Barnard, Mark Kamrath, and Stephen Shapiro (University of Tennessee Press, 2004). 41–59.
  • “Early American Nations as Imagined Communities.” American Quarterly 56.1 (2004): 49–81.
  • “Captaine Smith, Colonial Novelist.” American Literature 75.3 (2003), 487-513.
  • “The Ourang-Outang Situation.” College Literature 30.3 (2003): 88–108.
  • “The Value of Conspiracy Theory.” American Literary History 14.1 (2002): 1–31.
 The Backcountry and the City: Colonization and Conflict in Early America