Department of English

Richard Brantley

• Experience and Faith: The Late-Romantic Imagination of Emily Dickinson. Palgrave Macmillan, 2004.

A. Carl Bredahl

• “‘What’s Western About Wright Morris’s The Field of Vision?’ My Students Ask.” Midwest Quarterly 45 (2004).
• “After Words: The Western Movies of John Ford and Sam Peckinpah.” Seeing Beyond: Movies, Visions, and Values. Ed. Richard P. Sugg. Golden String Press, 2001. 281–302.
• “Hemingway’s Green Hills of Africa as Evolutionary Narrative: Helix  and Scimitar.” Seeing Beyond: Movies, Visions, and Values. Ed. Richard P. Sugg. Golden String Press, 2001. 397–418.
• Ivan Doig. Boise State University Press, 1999.

Alistair Duckworth

• Review of An Imaginary England: Nation, Landscape and Literature1840–1920 by Roger Ebbatson (Ashgate, 2005). Victorian Studies 49.3 (2007): 551–53.
• Review of Lisa Colletta’s Dark Humor and Social Satire in the Modern English Novel, by Lisa Colletta (Palgrave MacMillan, 2003). English Literature in Transition 1880–1920 49.2 (2006): 234–38.
• “Landscape”Jane Austen in Context. Ed. Janet Todd (Cambridge University Press, 2005): 278–88.
• “How Shall We Ever Recollect Half the Dishes for Grandmamma?” Eighteenth-Century Fiction 16.3 (2004): 471–92.
• “Manners in Jane Austen’s Novels.” Re-Drawing Austen. Eds. Beatrice Battaglia and Diego Saglia (Liguori Editore, 2004).
• “Mansfield Park: Jane Austen’s Grounds of Being.” Palgrave Macmillan Reader’s Guide to Essential Criticism: Mansfield Park (Macmillan, 2004)
• Review of From the Temple to the Castle: An Architectural History of British Literature, 1660–1760, by Lee Morrissey (University of Virginia Press, 2003). Scriblerian 36.2 (2004): 195–96.
• “Two Borrowings in Pat Barker’s Regeneration.” Journal of Modern Literature 27.3 (2004): 63–67.
• “Improving on Sensibility.” Nineteenth-Century Literary Criticism 81 (2003): 75–79.
• Review of Paranoid Modernism: Literary Experiment, Psychosis, and the Professionalization of English Society, by David Trotter. English Literature in Transition, 1880–1920 46.3 (2003): 315–20.

Ira Clark

• Rhetorical Readings, Dark Comedies, and Shakespeare’s Problem Plays. University of Florida Press, 2007.
• “The Trappings of All’s Well That Ends Well.”Style 39 (2005): 277–98.
• Comedy, Youth, Manhood in Early Modern England. University of Delaware Press, 2003.
• “Comic Violence on the Late Tudor-Early Stuart Stage: A Theory and an Application.” Exemplaria 13.1 (2001): 253–86.
• “The Widow Hunt on the Tudor-Stuart Stage.” Studies in English Literature 1500–1900 41 (2001): 399–416.
• “’Measure for Measure’: Chiasmus, Justice, and Mercy.” Style 35 (2001): 659–80.

Andrew Gordon

• “The Critique of the Pastoral, Utopia, and the American Dream in American Pastorl.” Philip Roth: American Pastoral, The Human Stain, The Plot Against America, Ed. Debra Shostak (Continuum, 2011): 33–43.
• “When In Rome: Philip Roth’s Portnoy’s Complaint and Bernard Malamud’s Pictures of Fidelman.”Philip Roth Studies 4.1 (Spring 2008): 39–46.
• Empire of Dreams: The Science Fiction and Fantasy Films of Steven Spielberg. Rowman and Littlefield, 2007.
• “‘Envy’: Cynthia Ozick Meets Melanie Klein.” Selected Papers from the 2005 International Conference on Literature and Psychology, University of Cordoba, Spain.
• (With Hernán Vera) “On How to Dissolve Racial Taboos” – Review of the film Guess Who. Contexts 4.4 (2005): 68–69.
• “Contact: Little Orphan Ellie.” Reconstruction 5.4 (2005).
• “Philip Roth’s Patrimony and Art Spiegelman’s Maus: Jewish Sons Remembering Their Fathers.” Philip Roth Studies 1.1 (2005): 53–66.
• “The Critique of Utopia in Philip Roth’s The Counterlife and American Pastoral.” Turning Up the Flame: Philip Roth’s Later Novels. Eds. Jay L. Halio and Ben Siegel. University of Delaware Press, 2005. 151–59.
• “George Lucas’s THX 1138: A Portrait of the Artist as an Angry Young Man.” Film International 15.3 (2005).
• Review of Key Texts in Jewish American Culture. Ed. Jack Kugelmass. American Jewish History 92.1 (2004): 135–38.
• Review of Marleen S. Barr’s Oy, Pioneer. Science Fiction Research Association Review 267 (2004): 18.
• “Smoking Dope with Thomas Pynchon: A Sixties Memoir.” The Portable Sixties Reader. Ed. Ann Charters. Viking, 2003. 228–38. Rpt. of “Smoking Dope with Thomas Pynchon: A Sixties Memoir.” The Vineland Papers: Critical Takes on Pynchon’s Novel. Ed. Geoffrey Green, Donald J. Greiner, and Larry McCaffery. Dalkey Archive Press, 1994. 167–78.
• “Back to the Future: Oedipus as Time Traveller.” Liquid Metal: The Science Fiction Film Reader. Ed. Sean Redmond. Wallflower Press, 2004. 116–25. Rpt. of “Back to the Future:  Oedipus as Time Traveller.” Science-Fiction Studies 14 (1987):  372–85.
• “Jewish Fathers and Sons in Spiegelman’s Maus and Roth’s Patrimony.” ImageTexT 1.1 (2004).
• “The Beautiful American: Sincere Fictions of the White Messiah in Hollywood Movies.” White Out: The Continuing Significance of Racism. Eds. Ashley W. Doane and Eduardo Bonilla-Silva. Routledge, 2003. 113–25.
• (With Hernán Vera) Screen Saviors: Hollywood Fictions of Whiteness. Rowman and Littlefield, 2003.
• “The Matrix: Paradigm of Post-Modernism or Intellectual Poseur?” Taking the Red Pill: Science, Philosophy, and Religion in The Matrix. Ed. Glenn Yeffeth. Benbella Books, 2003. 85–102.
• Review of No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy. Ed. Gary Westfahl and George Slusser. Utopian Studies 14.2 (2003): 227–29.
• “Steven Spielberg’s Empire of the Sun: A Boy’s Dream of War.” The Films of Steven Spielberg: Critical Essays. Ed. Charles L.P. Silet. Scarecrow Press, 2002. 109–26. Rpt. of Literature/Film Quarterly 19.4 (1991): 210–21.
• “Play It Again, Sam: Ken Grimwood’s Replay and Time Travel as Reincarnation.” Worlds Enough and Time: Explorations of Time in Science Fiction and Fantasy. Eds. Gary Westfahl, George Slusser, and David Leiby. Greenwood Press, 2002. 139–47.
• (With Hernán Vera) “Sincere Fictions of the White Self in the American Cinema: The Divided White Self in Civil War Films.” Classic Hollywood, Classic Whiteness. Ed.Daniel Bernardi. University of Minnesota Press, 2001. 263–80.
• (With Hernán Vera) “Racism as a Project: Guess Who’s Coming to Dinner?” Literature and Psychoanalysis. Ed. Frederico Pereira. Instituto Superior de Psicologia Aplicada, 2001. 255–65.
• Review of Chris Gregory’s Star Trek: Parallel Narratives. Science-Fiction Studies 28 (2001): 144–45.
• “L’objet transitionnel et la nouvelle de Cynthia Ozick ‘Le Chale.’“ Gradiva 4.1 (2001): 43–51. Trans. Yves Thoret. Rpt. of “Cynthia Ozick’s ‘The Shawl’ and the Transitional Object.” Literature and Psychology 40.1–2 (1994): 1–9.
• (Ed. with Peter L. Rudnytsky)Psychoanalyses/Feminisms. State University of New York Press, 2000.
• Review of Stephanie Schwam’s The Making of 2001: A Space Odyssey and of Leonard F. Wheat’s Kubrick’s 2001: A Triple Allegory. Science Fiction Research Association Review 249 (2000): 12–13.
• Review of Mark Jancovich’s Rational Fears: American Horror in the 1950s. Science-Fiction Studies 27 (2000): 162–66.
• Review of Alien Zone II: The Spaces of Science-Fiction Cinema. Ed. Annette Kuhn. Science Fiction Research Association Review 246 (2000): 16.
• Review of Kim Newman’s Apocalypse Movies: End of the World Cinema. Science Fiction Research Association Review 244 (2000): 14–15.

Norman Holland

• (Editor in Chief ) PSYART: An Online Journal for the Psychological Study of the Arts.
• With Murray Schwartz (Emerson College), Know Thyself: Delphi Seminars. Published online by the PsyArt Foundation, <www.knowthyselfdelphiseminars.com>.
• “Psychoanalysis as Science.”Scientific Review of Alternative Medicine 10 (2006): 21–23.
• “The Neuroscience of Metafilm.” The inaugural issue of Projections: The Journal for Movies and Mind 1.1 (2007): 59–74.
• “Tickled Rats and Human Laughter.” Neuro-Psychoanalysis 9.1 (2007): 42–57.
• “Literary Creativity: A Neuropsychoanalytic View.” Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity, and the Arts. Eds. Colin Martindale, Paul Locher, and Vladmimir M. Petrov. Baywood Publishing, 2007. 165–80.
• “Style, Identity, Free Association, and the Brain.” PsyArt 10 (2006).
• Meeting Movies. Fairleigh Dickinson University Press, 2006.
• “‘The Barge She Sat In’: Psychoanalysis and Diction.” PsyArt 9 (2005).
• “Hamlet’s Big Toe? Neuropsychology and Literary Character.” The Twentieth International Conference on Literature and Psychoanalysis. Ed. Frederico Pereira. Instituto Superior de Psicologia Aplicada, 2005.
• “The First Psychological Critic: Walter Whiter.” Journal of Literary Criticism 10.1 (2004): 1–13.
• “The Power(?) of Literature.” New Literary History 35.3 (2004): 395–410.
• “Psychoanalysis as Science.” PsyArt 8 (2004).
• “The First Psychological Critic: Walter Whiter (1758–1832).” PsyArt 8 (2004).
• “The Willing Suspension of Disbelief: A Neuro-Psychoanalytic View.” PsyArt 7 (2003).
• “H.D.’s Analysis with Freud.” PsyArt 6 (2002).
• “Where Is a Text? A Neurological View.” New Literary History 33.1 (2002): 21–38.
• Psikanaliz ve Shakespare. Trans. Özgür Karacam. Istanbul: Gendas Kültür, 2002.
• “The Neurosciences and the Arts.” Literature and Psychoanalysis: Proceedings of the Eighteenth International Conference on Literature and Psychoanalysis. Nicosia (Cyprus), May 2001. 103–12.
• “The Barge She Sat In.” Psychoanalytic Studies 3.1 (2001): 7994.
• Poems in Persons: A Psychology of the Literary Process (rev. ed.). Cybereditions, 2000.
• “Il mio Shakespeare in Love.” Documenti di lavoroletture Shakespeariane 296-297-298. (2000): 16–37.
• “An Extension of George Lakoff’s How Unconscious Metaphorical Thought Shapes Dreams.” PsyArt 4 (2000).
• “The Neurosciences and the Arts.” PsyArt 3 (2000).
• “The Mind and the Book: Past, Present, and Future Psychoanalytic Literary Criticism.” The Psychoanalytic Century: Freud’s Legacy for the Future. Ed. David E. Scharff. Other Press, 2000. 181–94.
• “Creativity and the Stock Market.” The Bulletin of Psychology and the Arts 1.2 (2000): 62–64.
• Death in a Delphi Seminar. State University of New York Press, 1995.

David Leverenz

• “Working Women and Creative Doubles: Getting to The Marble Faun.” Hawthorne and the Real: Bicentennial Essays. Ed. Millicent Bell. Ohio State University Press, 2005. 144–158.
• “Paternalism.” Men and Masculinities: A Social, Cultural, and Historical Encyclopedia, 2 vols. Eds. Amy Aronson and Michael S. Kimmel. ABC CLIO, 2004. 398–400.
• “Honor.” Men and Masculinities: A Social, Cultural, and Historical Encyclopedia, 2 vols. Eds. Amy Aronson and Michael S. Kimmel. ABC CLIO, 2004. 583–586.
• “Trachtenberg, Haskell, & Livingston, Inc.” American Literary History 15 (2003): 738–47.
• “Booker T. Washington’s Strategies of Manliness, for Black and White Audiences.” Booker T. Washington and Black Progress: Up From Slavery 100 Years Later. Ed. W. Fitzhugh Brundage. University Press of Florida, 2003. 149–76.
• Paternalism Incorporated: Fables of Fatherhood, 1865–1940. Cornell University Press, 2003.
• “Spanking the Master: Mind-Body Crossings in Poe’s Sensationalism.” A Historical Guide to Edgar Allan Poe. Ed. J. Gerald Kennedy. Oxford University Press, 2001.
• “Alive with Contradictions: Close Reading, Liberal Pluralism, and Non-Narratable Plots in Uncle Tom’s Cabin.” Approaches to Teaching Stowe’s Uncle Tom’s Cabin. Ed. Elizabeth Ammons and Susan Belasco. Modern Language Association, 2000.

Kevin McCarthy

• African-American Sites in Florida. Pineapple Press, 2007.
• Florida Outhouses: An Ode to the Shack at the Back. The History Press, 2007
• Cedar Key, Florida: A History. The History Press, 2007
• Cedar Key: An Illustrated History, 2006.
• Over Southeast Florida. Pineapple Press, 2005.
• St. Johns River Guidebook. Pineapple Press, 2004.
• Greek Americans of Florida. Whitehall Printing Company, 2004
• Apalachicola Bay. Pineapple Press, 2004.
• Women at the University of Florida. University of Florida’s 150th Anniversary Committee, 2003.
• Aviation in Florida. Pineapple Press, 2003.
• Honoring the Past, Shaping the Future. University of Florida’s 150th Anniversary Committee, 2003.
• (With Betty Stewart-Dowdell) African Americans at the University of Florida. University of Florida’s 150th Anniversary Committee, 2003.
• Florida Outhouses. Infinity Publishing, 2002.
• Babe Ruth in Florida. Infinity Publishing, 2002.
• Ocala. Arcadia Press, 2001.
• Fightin’ Gators: A History of University of Florida Football. Arcadia Press, 2000.

Melvyn New

• (Ed. with Derek Taylor) Astell’s Letters Concerning the Love of God. Ashgate, 2005.
• “Richard Lovell Edgeworth and Laurence Sterne.” Notes and Queries, N.S. 51.4 (2004): 417–21.
• “Scholia to the Florida Edition of the Works of Sterne from The Scriblerian, 1987–2005.” The Shandean 15 (2004): 135–64.
• “Lisping in Numbers: Some Canonical Statistics for the Present Age.” The Scriblerian (Autumn 2004).
• (Ed. with W. G. Day) A Sentimental Journey and Continuation of the Bramine’s Journal. The Works of Laurence Sterne, Vol. 6. University Press of Florida, 2002.
• “John Norris of Bemerton.” Dictionary of Literary Biography, Vol. 252 (“British Philosophers, 1500–1799”), 2002.
• “Sterne.” Oxford Encyclopedia of the Enlightenment. Oxford University Press, 2002.
• (Ed. with Robert Bernasconi and Richard A. Cohen) In Proximity: Emmanuel Levinas and the Eighteenth Century. Texas Tech University Press, 2001.
• “Reading Sterne Through Proust and Levinas.” Age of Johnson 12 (2001): 329–60.
• Critical Essays on Laurence Sterne. G. K. Hall, 1998.
• (Ed.) The Sermons of Laurence Sterne: The Notes. The Works of Laurence Sterne, Vol. 5. University Press of Florida, 1996.
• (Ed.) The Sermons of Laurence Sterne. The Works of Laurence Sterne, Vol. 4. University Press of Florida, 1996.

Bernard J. Paris

• Dostoevsky’s Greatest Characters: a New Approach to Notes from Underground, Crime and Punishment, and The Brothers Karamazov. Palgrave Macmillan, 2008.
• Conrad’s Charlie Marlow: A New Approach to “Heart of Darkness” and Lord Jim. Palgrave Macmillan, 2006.
• Rereading George Eliot: Changing Responses to Her Experiments in Life. State University of New York Press, 2003.
• The Unknown Karen Horney: Essays on Gender, Culture, and Psychoanalysis. Yale University Press, 2000.
• The Therapeutic Process: Essays and Lectures. Yale University Press, 1999.
• Imagined Human Beings: A Psychological Approach to Character and Conflict in Literature. New York University Press, 1997.

Roger Thompson

• Filipino English and Taglish: Language Switching from Multiple Perspectives. John Benjamins Publishing, 2003.
• “Too Old to Surf? Internet Training for Reluctant Teachers.” The Messenger: A Publication of Sunshine State TESOL of Florida 2 (2000): 15–16.

James Twitchell

• Shopping For God: How Christianity Went From in Your Heart to in Your Face. Simon & Schuster, 2007.
• Where Men Hide (Photos by Ken Ross). Columbia University Press, 2006.
• Branded Nation. Simon & Schuster, 2004.
• Living It Up: America’s Love Affair With Luxury. Simon & Schuster, 2002.
• Twenty Ads That Shook The World: The Century’s Most Groundbreaking Advertising. Crown Publishing, 2000.
• Lead Us Into Temptation: The Triumph of American Materialism. Columbia University Press, 1999.
• For Shame: The Loss of Common Decency in American Culture. St. Martin’s, 1997.
• Adcult USA: The Triumph of Advertising in America. Columbia University Press, 1995.