Recent Faculty Publications, A–M

Journal articles, book chapters, reviews, and short films since 2000, books (including books edited) since 1995.
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A B C D E F G H I J K L M
Recent Faculty Publications, N–Z

A

Apollo Amoko
  • Review of Postcolonial Contraventions: Cultural Readings of Race, Imperialism and Transnationalism, by Laura Chrisman (Manchester University Press, 2003). Research in African Literatures 36.1 (2005): 128–29.
  • “The Resemblance of Colonial Mimicry: A Revisionary Reading of Ngugi wa Thiong’o’s The River Between.” Research in African Literatures 36.1 (2005).
  • “The ‘Missionary Position’ and the Postcolonial Polity, Or, Sexual Difference in the Field of Kenyan Colonial Knowledge.” Callaloo 24.1 (2001): 310–24.
  • “Resilient ImagiNations: No-No Boy, Obasan and the Limits of Minority Discourse.” Mosaic 33 (2000).

Donald Ault
  • (Founder and General Editor) ImageTexT.
  • “Re-Visioning William Blake’s The Four Zoas.” ImageTexT 3.2 (2007).
  • “Preludium: Crumb, Barks, and Noomin: Re-Considering the Aesthetics of Underground Comics.” ImageTexT 1.2 (2004).
  • “Imagetextuality: ‘Cutting Up’ Again, Part III.” ImageTexT 1.1 (2004).
  • (Ed.) Carl Barks: Conversations. University Press of Mississippi, 2003.
  • “Visionary Synchronicities in Carl Barks Comics.” Comic Art 4 (2003): 44–58.
  • “In the Trenches, Taking the Heat: Confessions of a Comics Professor.” IJOCA (Pioneers of Comics Art Scholarship Series) 5.2 (2003): 233–60.
  • “Barks, Marx, og Disney: Nogle bemærkninger vedror den narrative virkeligheds aksiale natur.” Rackham (2002).
  • “Barksin Ankkauniversumi.” Vousisadan Ankat: Acar Barksin omat suosikit. Helsinki Media, 2001: 3–7.
  • “Nogle Tanker om et Variabelt Barks-Mutivers: om held tilfældigheder og skævheder hos Barks.” Rackham 3 (2001): 22–29.
  • “I Never Followed the Rules Very Closely.” The Comics Journal #227 (2000): 61–72.
  • “From the Duck’s Mouth.” The Comics Journal #227 (2000): 57–60.
  • “In Memoriam: Carl Barks.” The Comics Journal #227 (2000): 23.
  • Review of William Blake in a Newtonian World: Essays on Literature as Art and Science, by Stuart Peterfreund (University of Oklahoma Press, 1998). Modern Philology 97 (2000): 611–15.
  • “‘Cutting Up’ Again, Part II: Lacan on Barks on Lacan.” Comics and Culture: Theoretical and Analytical Approaches to Comics. University of Copenhagen Press, 2000. 109–21.

ImageText

 Conversations

B

Roger Beebe
  • Money Changes Everything. 3-screen 16MM film, 5 min., 2009.
  • Last Light from a Dying Star. 8-projector installation/performance, 25 min., 2008.
  • tour/TOWER. 16MM, 5 min., 2008.
  • S A V E revisited. 16MM, 3 min., 2008.
  • Touch Me Karaoke. miniDV, 4 min., 2008.
  • (Ed. with Jason Middleton) Medium Cool: Music Videos from Soundies to Cellphones. Duke University Press, 2007.
  • TB TX DANCE. 16MM, 2 min. 30 sec., 2006.
  • “Schwarzenegger, Arnold.” Journeys of Desire: European Actors in America. Eds. Alastair Phillips and Ginette Vincendeau. BFI, 2006. 426–7.
  • S A V E. 16MM, 5 min., 2006.
  • (rock/hard place). 16MM, 6 min. 30 sec., 2005.
  • One Nation Under Tommy. DVD installation/digital video, 15 min., 2004.
  • Famous Irish Americans. Digital video, 8 min., 2003.
  • Composition in Red & Yellow. Super 8, 2 min. 30 sec., 2002.
  • “For a Tautegorical Criticism.” Body/Language 2 (2002).
  • (Ed. with Denise Fulbrook and Ben Saunders) Rock Over the Edge: Transformations in Popular Music Culture. Duke University Press, 2002.
  • “Mourning becomes…?: Kurt Cobain, Tupac Shakur, and the ‘waning of affect.’” Rock over the Edge: Transformations of Popular Music Culture. Eds. Roger Beebe, Denise Fulbrook, and Ben Sanders. Duke University Press, 2002.
  • (With Jason Middleton) “The Racial Politics of Hybridity and Neo-Eclecticism in Contemporary Popular Music.” Popular Music 21.2 (2002): 211–24.
  • A Woman, A Mirror. 16MM, 15 min., 2001.
  • The Strip Mall Trilogy. Super 8, 9 min., 2001.
  • “After Arnold: Narratives of the Posthuman Cinema.” Meta-Morphing: Visual Transformation and the Culture of Quick-Change. Ed. Vivian Sobchack. University of Minnesota Press, 2000.
  • “Sarah Abbott’s ‘The Light in our Lizard Bellies’ and the Meaning of Meaning.” Journal of Film and Video 52.1 (2000).
  • What Boys Want. 16MM, 2 min. 30 sec., 2000.
 S A V E rock / hard place
Composition in Red & Yellow A Woman, A MIrror
Medium Cool: Music Videos from Soundies to Cell Phones Rock over the Edge: Transformations in Popular Music Culture

Marsha Bryant
  • Women’s Poetry and Popular Culture. Palgrave Macmillan, 2011.
  • “Graduate Mentoring: A Poetics.” Cary Nelson and the Struggle for the University: Poetry, Politics, and the Profession. Eds. Michael Rothberg and Peter K. Garrett. SUNY Press, 2009.
  • “Sitwell Beyond the Semiotic: Gender, Race & Empire in Façade.” Tulsa Studies in Women’s Literature 26.2 (2007).
  • “Displaced Artist Statements, Reluctant Artist-Researchers: Poet-Editors of Women’s Poetry Anthologies.”Open Letter 13.4 (2007): 45–63.
  • (With Mary Ann Eaverly) “Egypto-Modernism: James Henry Breasted, H.D., and the New Past.” Modernism/modernity 14.3.
  • “Brooks, Ebony, and Postwar Race Relations” appears in the current issue of American Literature 79.1 (2007): 113–41.
  • “Ariel’s Kitchen: Plath, Ladies’ Home Journal, and the Domestic Surreal.” The Unraveling Archive: Essays on Sylvia Plath. Ed. Anita Helle. University of Michigan Press, 2006.
  • (With Mary Ann Eaverly) “Classical Tourism in Debora Greger’s Poetry.” Mosaic 37.3 (2004).
  • “IMAX Authorship: Teaching Plath and Her Unabridged Journals.” Pedagogy 4.2 (2004): 241–61.
  • “Plath, Domesticity, and the Art of Advertising.” College Literature 29.3 (2002): 17–34.
  • Response to Marjorie Perloff’s review of Cary Nelson’s anthology, Modern American Poetry. symploke 9.1–2 (2001): 176–78.
  • “A Review of Albert Gelpi’s Living in Time: The Poetry of C. Day Lewis.” Modern Philology (August 2001).
  • “Documentary Dilemmas: Shifting Fronts in Journey to a War.” The Isherwood Century. Eds. James J. Berg and Chris Freeman. University of Wisconsin Press, 2000.
  • “W. H. Auden and the Homoerotics of the 1930s Documentary.” Caverns of Night: Coal Mines in Art, Literature, and Film. Ed. William B. Thesing. University of South Carolina Press, 2000.
  • Auden and Documentary in the 1930s. University of Virginia Press, 1997.
  • (Ed.)Photo-Textualities: Reading Photographs and Literature. University of Delaware Press, 1996.
 Photo-Textualities Auden and Documentary in the 1930s
 
Women's Poetry and Popular Culture

Richard Burt
  • “Backing Up the Virtual Bayeux Tapestries: Facsimiles as Attachment Disorders, or Turning Over the Other Side of the Underneath.” New Research on the Bayeux Tapestry: the Proceedings of a Conference at the British Museum, eds. M.J. Lewis, G.R. Owen-Crocker, and D. Terkla (Oxbow, 2011). 27–36.
  • “Missing Shakespeare’s Corpus: Spectral Media, Mourning, and the Incomplete Works of Culture.”Shakespeare in Culture, ed. Beatrice Lei, (2010): 35–63.
  • “Digital Film, Asianization, and the Transational Film Remake: Alluding to Shakespeare in L'Appartement, The King Is Alive, Wicker Park, A Time to Love, and University of Laughs.” Shakespeare Yearbook 17, a special issue on “Shakespeare in China,” ed. Yang Lingui (2010): 45–77.
  • (With Scott Newstock) “Certain Tendencies in Shakespeare Film Criticism.” Shakespeare Studies 38, a special forum “After Shakespeare on Film” (2010): 88–103.
  • “All That Remains of the Shakespeare Play in Indian Film.”Shakespeare in Asia: Contemporary Performance, eds. Yong Li Lan and Dennis Kennedy (Cambridge UP, 2010). 73–108.
  • “Epilogue: ObaMacbeth: National Transition as National Traumission.” Weyward Macbeth: Intersections of Race and Performance, eds. Scott L. Newstock and Ayanna Thompson (Palgrave Macmillan, 2009). 235–40.
  • “‘Being your slave’: Not Citing Sonnets 57 and 58 and the ‘TraUmisSion’ of Race in the United States.”Shakespeare’s Sonnets Global, eds. Manfred Pfister and Jürgen Gutsch (2009), 181–92.
  • “Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema in Robin Hood, Prince of Thieves and El Cid.”Medieval Film, eds. Anke Bernau and Bettina Bildhauer (Manchester UP, 2009), 158–81.
  • Medieval and Early Modern Film and Media. Palgrave Macmillan, 2008.
  • “Becoming Literary, Becoming Historical: The Scale of Female Authorship in Becoming Jane.”Adaptation 1 (2008): 58-62.
  • “Shakespeare ‘Tween Media and Markets: Literacy, Losers and Literary Culture from Little Women to Lizzie McGuire.” Shakespeare and Childhood, ed. Susanne Greenhalgh and Robert Shaughnessy, (Cambridge: Cambridge University Press, 2007), 218–32.
  • “Thomas Middleton, Uncut: Castration, Censorship, and the Regulation of Middleton’s Dramatic Discourse.” Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Work. Eds. Gary Taylor and John Lavagnino. Oxford University Press, 2007.
  • “Cutting and Running from the (Medieval) Middle East : The Uncanny Mises-hors-scène of Kingdom of Heaven’s Double DVDs.” Babel 15 (2007): 247–98.
  • (Ed.)Shakespeares After Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture. 2 vols. Greenwood Press, 2006.
  • “Civic ShakesPR: Middlebrow Multiculturalism, White Television, and the Color Bind.” Colorblind Shakespeare: New Perspectives on Race and Performance. Ed. Ayanna Thompson. Routledge, 2006. 157–85.
  • “Getting Schmedieval: Of Manuscript and Film Prologues, Paratexts, and Parodies.” Exemplaria 18.2 (2006).
  • “Re-embroidering the Bayeux Tapestry in Film and Media: The Flip Side of History in Opening and End Title Sequences.” Exemplaria 18.2 (2006).
  • “SShockspeare: (Nazi) Shakespeare Goes Heil-lywood.”A Companion to Shakespeare in Performance. Eds. Barbara Hodgdon and W.B. Worthen (Blackwell Press, 2005): 437–56.
  • “Stupid Shit: (In)security in the Age of Twilightenment.” ArtUS 11 (Dec 2005–Feb 2006).
  • “What the Puck?: Screening the (Ob)Scene in Bardcore Midsummer Night’s Dreams and the Transmediatic Technologies of Tactility.” Shakespeare on Screen: A Midsummer Night’s Dream. Eds. Sarah Hatchuel and Nathalie Vienne-Guerrin. Publications de l’Université de Rouen, 2004. 57–86.
  • (Ed. with Lynda E. Boose)Shakespeare, the Movie II: Popularizing the Plays on Film, TV, Video and DVD. Routledge, 2003.
  • “Shakespeare ‘Glo-cali-zation,’ Race, and the Small Screens of Post-Popular Culture.” Shakespeare the Movie, II. Eds. Richard Burt and Lynda E. Boose. Routledge, 2003. 14–32.
  • “Shakespeare in Asian and Post-Disaporic Cinemas: Spinoffs and Citations of the Plays from Bollywood to Hollywood.” Shakespeare the Movie, II. Eds. Richard Burt and Lynda E. Boose. Routledge, 2003. 265–302.
  • (Ed.)Shakespeare After Mass Media. Palgrave Macmillan, 2002.
  • “Slammin’ Shakespeare In Acc(id)ents Yet Unknown: Liveness, Cinem(edi)a, and Racial Dis-integration,” Shakespeare Quarterly, 53.2 (2002): 201–26.
  • “Doing the Queen: Gender, Sexuality, and the Censorship of Elizabeth I’s Royal Image from Renaissance Portraiture to Twentieth-Century Mass Media.” Literature and Censorship in Renaissance England. Ed. Andrew Hadfield. Macmillan, 2001. 207–28. Rpt. in The Mysteries of Elizabeth I. Eds. Kathleen Swaim and Kirby Farrell. University of Massachusetts Press, 2003. 267–77.
  • “Shakespeare and the Holocaust: Julie Taymor’s Titus is Beautiful, or Shakesploi Meets (the) Camp,” The Colby Quarterly 37.1 (2001): 78–106. Revised and expanded in Shakespeare After Mass Media. Ed. Richard Burt. Palgrave, 2002. 295–329.
  • “T(e)en Things I Hate About Girlene Shakesploitation Flicks in the Late 1990s, or, Not So Fast Times at Shakespeare High.” Screening the Bard: Shakespearean Spectacle, Critical Theory, Film Practice, Eds. Lisa Starks and Courtney Lehmann. American University Presses, 2001. 205–32.
  • “No Holes Bard: Homonormativity and the Gay and Lesbian Romance with Romeo and Juliet.” Shakespeare Without Class: Misappropriations of Cultural Capital. Eds. Don Hedrick and Bryan Reynolds. Palgrave Press, 2000. 153–86.
  • “Shakespeare in Love and the End of the Shakespearean: Academic and Mass Culture Constructions of Literary Authorship.” Shakespeare, Film, Fin de Siècle. Eds. Mark Burnett and Ramona Wray. St. Martin’s Press, 2000. 203–31.
  • Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. Revised, paperback edition with a new preface. St. Martin’s Press, 1999.
  • Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. St. Martin’s Press, 1998.
  • Licensed by Authority: Ben Jonson and the Discourses of Censorship. Cornell University Press, 1993.
 Shakespeares After Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture Shakespeare, the Movie II
Medieval and Early Modern Film and Media Shakespeare After Mass Media

C

Ronald Carpenter
  • (With Windy Lawrence) “On the Conversational Style of Ronald Reagan: ‘A – E = <GC’ Revisited and Reassessed.” Speaker and Gavel 44 (2007).
  • “Father Charles E. Coughlin: Delivery, Style in Discourse, and Opinion Leadership.” American Rhetoric in the New Deal Era, Vol. 7 of A Rhetorical History of The United States. Ed. Thomas W. Benson. Michigan State University Press,  2006. 315–67.
  • “Father Charles E. Coughlin.” The American Midwest: An Interpretive Encyclopedia. Eds. Richard Sisson, Christian Zacher, and Andrew Cayton. University of Indiana Press, 2006.
  • “General Maxwell D. Taylor’s Rhetorical Sensitivity in ‘Excom’ Deliberations During the Cuban Missile Crisis: Exemplar or Aberration Derived From His High School Debate Experience?” The Forensic 91 (2006): 1–14.
  • “Revisiting Janice Rushing About ‘The Western Myth’ (More Important Now Than Ever Before).” Southern Communication Journal 71 (2006): 179–82.
  • (With Windy Lawrence) “Ronald Reagan.” American Voices: An Encyclopedia of Contemporary Orators. Eds. Bernard Duffy and Richard Leeman. Greenwood, 2005. 378–90.
  • Rhetoric in Martial Deliberations and Decision Making. University of South Carolina Press, 2004.
  • “Admiral Mahan, ‘Narrative Fidelity,’ and the Japanese Attack on Pearl Harbor.” Rpt. in Rhetorical Criticism and Theory in Practice. Ed. Dann L. Pierce (McGraw-Hill, 2003): 418–38.
  • “Admiral George Anderson as Speechwriter During the Cuban Missile Crisis: When the Right Words Counted, John Kennedy and Ted Sorensen Counted Rightly on Words from the Chief of Naval Operations.” Naval History (2001): 44–47.
  • “Did MacArthur Save the Marines?” U.S. Naval Institute Proceedings (2000): 66–72.
  • Choosing Powerful Words: Eloquence that Works. Allyn and Bacon, 1998.
  • Father Charles E. Coughlin: Surrogate Spokesman for the Disaffected. Greenwood Press, 1998.
  • (With Bernard K. Duffy) Douglas MacArthur: Warrior as Wordsmith. Greenwood, 1997.
  • History as Rhetoric: Style, Narrative, and Persuasion. University of South Carolina Press, 1995.
 The Eloquence of Frederick Jackson Turner Rhetoric in Martial Deliberations and Decision Making
History as Rhetoric: Style, Narrative, and Persuasion Father Charles E. Coughlin: Surrogate Spokesman of the Disaffected
Douglas MacArthur: Warrior as Wordsmith

John Cech
  • (Creator, Producer & Host) Recess!
  • Imagination and Inspiration, The Story of Weston Woods. Scholastic Press, 2009.
  • The Nutcracker (retelling), with illustrations by Eric Puybaret. Sterling Publishing 2009.
  • Aesop’s Fables (retelling with scholarly note), with illustrations by Martin Jarrie. Sterling Publishing, 2009.
  • The Twelve Dancing Princesses (retelling with scholarly note), illustrated by Lucy Corvino. Sterling Publishing, 2009.
  • Rumpelstiltskin (retelling with scholarly note), illustrated by Martin Hargreaves. Sterling Publishing, 20008.
  • Jack and the Beanstalk (retelling with scholarly note), illustrated by Robert Mackenzie. Sterling Publishing, 2008.
  • The Princess and the Pea (retelling with scholarly note), illustrated by Bernhard Oberdieck. Sterling Publishing, 2007.
  • The Elves and the Shoemaker (retelling and scholarly note), illustrated by Kirill Chelushkin. Sterling Publishing, 2007.
  • “The Violent Shadows of Children’s Culture.” Handbook of Children, Culture, and Violence. Eds. Nancy E. Dowd, Dorothy G. Singer, and Robin Wilson (Sage Publications, 2006).
  • World Book Encyclopedia, entries for “Jones, Elizabeth Orton,” “Lent, Blair,” “McCully, Emily Arnold,” “McDermott, Gerald,” “Montresor, Beni,” “Taback, Simms,” “Wiesner, David,” “Wisniewski, David,” “Zelinsky, Paul O.,” and “Zemach, Margot.” World Book Online Reference Center, 2005.
  • “The Little Genius with a Thousand Faces.” Brains and Beauty, An Overview for Teachers. (Chicago Humanities Festival, 2002). 30–35.
  • “The Dance of Words and Pictures.” Words and Pictures an Over-View for Teachers. Ed. Christopher Chandler. The Chicago Humanities Festival, 2001. 40–44.
  • “In Mansfield Hollow: For Francelia.” Children’s Literature 28 (2000): 186–89.
  • “Storytelling Stone.” Parabola 4. 4 (1991): 12–14. Rpt. among the educational materials of the Lincoln Center Institute for the Arts in Education’s 2000–2001 program in the New York City schools.
  • A Rush of Dreamers: Being the Remarkable Story of Joshua Norton I, Emperor of the United States and Protector of Mexico. Marlowe & Company, 1997.
  • Angels and Wild Things: The Archetypal Poetics of Maurice Sendak. Pennsylvania State University Press, 1996.
  • The Southernmost Cat. Simon and Schuster, 1995.
  • Django. Simon and Schuster, 1994.
  • Jacques-Henri Lartigue: Boy With A Camera. Simon and Schuster, 1994.
  • First Snow, Magic Snow. Macmillan, 1992.
  • My Grandmother’s Journey. Macmillan, 1991.
 more The Elves and the Shoemaker more A Rush of Dreamers: Being the Remarkable Story of Joshua Norton I, Emperor of the United States and Protector of Mexico
First Snow, Magic Snow Django
My Grandmother’s Journey Angels and Wild Things: The Archetypal Poetics of Maurice Sendak
Jacques-Henri Lartigue: Boy With A Camera Recess!

Jill Ciment
  • Heroic Measures. Pantheon, 2009.
  • The Tattoo Artist. Pantheon, 2005.
  • Teeth of the Dog. Crown, 1999.
  • Half a Life. Crown, 1996.

 

 more Heroic Measures The Tattoo Artist
Teeth of the Dog

D

Sidney Dobrin
  • “Through Green Eyes: Complex Visual Culture and Post-Literacy.” Environmental Education Research 16.3/4.
  • (With Sean Morey) Ecosee: Image, Rhetoric, Nature. SUNY Press, 2009.
  • (With Christopher Keller and Christian Weisser) Technical Communication in the Twenty-First Century. Prentice Hall, 2008.
  • (Ed.) Don’t Call It That. The National Council of Teachers of English, 2005.
  • (Ed. with Christopher J. Keller) Writing Environments. State University of New York Press, 2005.
  • (Ed.) Saving Place: An Ecocomposition Reader. McGraw-Hill, 2004.
  • (Ed. with Kenneth Kidd) Wild Things: Children’s Culture and Ecocriticism. Wayne State University Press, 2004.
  • (Ed. with Stephen G. Brown) Ethnography Unbound: From Theory Shock to Critical Praxis. State University of New York Press, 2004.
  • (Ed. with Anis S. Bawarshi) A Closer Look: The Writer’s Reader. McGraw-Hill Publishing, 2003.
  • “Going Public: Locating Public/Private Discourse.” The Private, The Public, and the Published: Reconciling Private Lives and Public Rhetoric. Eds. Thomas Kent and Barbara Couture. Southern Illinois University Press, 2003.
  • (With Christian Weisser) Natural Discourse: Toward Ecocomposition. State University of New York Press, 2002.
  • (With Christian Weisser) “Breaking Ground in Ecocomposition: Exploring Relationships Between Discourse and Environment” College English 64.5 (2002): 566–89.
  • “A Problem with Writing (about) “Alternative” Discourse.” ALT DIS: Alternative Discourses in the Academy. Eds. Helen Fox, Christopher Schroeder, and Patricia Bizzel. Heinemann Boynton/Cook, 2002. 45–56.
  • (Ed. with Christian Weisser) Ecocomposition: Theoretical and Pedagogical Approaches. State University of New York Press, 2001.
  • “Writing Takes Place.” Ecocomposition: Theoretical and Pedagogical Approaches. Eds. Sidney I. Dobrin and Christian Weisser. State University of New York Press, 2001. 11–25.
  • (Ed. with Lynn Worsham and Gary A. Olson) The Kinneavy Papers: Theory and The Study of Discourse. State University of New York Press, 2000.
  • Distance Casting: Words and Ways of the Saltwater Fishing Life. Sycamore Island Books, 2000.
  • Constructing Knowledges: The Politics of Theory-Building and Pedagogy in Composition. State University of New York Press, 1997.
 Wild Things: Children’s Culture and Ecocriticism Saving Place: An Ecocomposition Reader
Distance Casting Ecomposition
A Closer Look Natural Discourse
Technical Communication in the Twenty-First Century The Kinneavy Papers

E

Kim Emery
  • “’Crisis Management’ in Higher Education: RCM and the Politics of Crisis.”  Cultural Logic, special issue on “Culture and Crisis,” ed. Joseph Ramsey (forthcoming 2011).
  • "Speech Act Theory." The Encyclopedia of the Novel. Ed. Peter Melville Logan, et al. Wiley-Blackwell, 2011.
  • “Academic Freedom Requires Constant Vigilance.” Thought & Action 25 (2009): 111–20. (Winner, National Education Association Democracy in Higher Education Award, 2009)
  • “Faculty, Governance, and Financial Crisis at the University of Florida.” Academe Online 95.6 (2009).    
  • “Higher Education’s Hidden Economy,” a review of How the University Works, by Marc Bousquet (NYU Press, 2008).  Currents in Teaching and Learning 2.1 (2009): 74–78.
  • Review of The Violet Hour:  The Violet Quill and The Making of Gay Culture, by David Bergman (Columbia University Press, 2004). South Atlantic Review 74.3 (2009): 144–47.
  • “Sarah Schulman,” “Becky Birtha,” and “Queer.” Encyclopedia of Contemporary LGBTQ Literature of the United States. Ed. Emmanuel S. Nelson(Greenwood, 2009).
  • “Outcomes Assessment and Standardization:  A Queer Critique.” Profession (2008): 255-59.
  • “‘Well’-Meaning Pragmatism, Lesbianism, and the U.S. Obscenity Trial.” Palatable Poison: Critical Perspectives on The Well of Loneliness. Eds. Laura Doan and Jay Prosser. Columbia University Press, 2001.
  • The Lesbian Index: Pragmatism and Lesbian Subjectivity in the 20th-Century United States. State University of New York Press, 2001.
 more The Lesbian Index: Pragmatism and Lesbian Subjectivity in the Twentieth-Century United States

G

Pamela Gilbert
  • “A Nation of Good Animals: Popular Beliefs and the Body.” A Cultural History of the Body, eds. Michael Sappol and Stephen Rice (Berg/Palgrave Press, 2010). 125–48.
  • Scholarly and teaching edition of Rhoda Broughton’s novel Cometh Up as a Flower. Broadview Press, 2010.
  • “Feminism and the Canon: Recovery and Reconsideration of Popular Novelists.” Antifeminism and the Victorian Novel: Rereading Nineteenth Century Women Writers, ed. Tamara S. Wagner, (Cambria Press, 2009). 19-35.
  • “The Idea of the City: Epilogue.” The Idea of the City, ed. Joan Fitzpatrick (Cambridge Scholars Press, 2009). 199–205.
  • Review of Metropolis on the Styx: Underworlds of Urban Culture 1800–2001, by David Pike. The London Journal 34.1 (2009): 76–77.
  • Review of Violent Women and Sensation Fiction, by Andrew Mangham. Victorian Studies 51.1 (Autumn 2009): 158–59.
  • “History and its Ends in Chartist Epic.”Victorian Literature and Culture 37 (2009): 27–42.
  • Guest-edited and introduced “Interdisciplinarity and the Body,”Romanticism and Victorianism on the Net 49 (2008), <http://www.ravon.umontreal.ca>.
  • “Dangers Lurking Everywhere: Sex Offenders as Pollution.”Dirt: New Geographies of Cleanliness and Contamination. Eds. Rosie Cox and Ben Campkin (Berg/Palgrave, 2008): 92–102.
  • The Citizen’s Body: Desire, Health, and the Social in Victorian England. Ohio State University Press, 2007.
  • “Islands in A Filthy Stream: Medical Mapping, The Thames, and the Body in Our Mutual Friend.” Filth: Dirt, Disgust, And Modern Life. Eds. William Cohen and Ryan Johnson. Minnesota University Press, 2005. 78–102.
  • “The Critic as Orpheus.” The J. Hillis Miller Reader. Ed. Julian Wolfreys.  Stanford University Press, 2004. 156–59.
  • Mapping the Victorian Social Body. State University of New York Press, 2004.
  • “Mapping Colonial Disease: Victorian Medical Cartography in British India.” Framing and Imagining Disease. Ed. George Rousseau. Palgrave, 2003. 111–28.
  • “Poisonous Sweets and Depraved Appetites: Mary Elizabeth Braddon and the Victorian Popular Novel.” Scenes of the Apple: Food and the Female Body in Nineteenth- and Twentieth- Century Women’s Writing. Eds. Tamar Heller and Patricia Moran. State University of New York Press, 2003. 65–86.
  • (Ed.) Imagined Londons. State University of New York Press, 2002.
  • Excerpts from “M.E. Braddon: Sensational Realism.” Twentieth Century Literary Criticism, Vol. 111. The Gale Group, 2002. 305–14. Rpt. of chapter from Disease, Desire and the Body in Victorian Women’s Popular Novels, Cambridge UP, 1997.
  • “Producing the Public: Public Medicine in Private Spaces.” Medicine, Health and the Public Sphere in Britain, 1600–2000. Ed. Steve Sturdy. Routledge, 2002.
  • Excerpts from “Madness and Civilization: Generic Opposition in Mary Elizabeth Braddon’s Lady Audley’s Secret.” Twentieth Century Literary Criticism. The Gale Group, 2002. 297–305. Rpt. of Essays in Literature 23.2 (1996) 218–33.
  • “Mapping the Social Body of Nineteenth Century London.” Imagined Londons. Ed. Pamela Gilbert. State University of New York Press, 2002. 11–30.
  • Review of Raw Materials, by Erin O’Connor (Duke, 2001). Victorians Institute Journal 29 (2001). 3–6.
  • Review of The Spectacle of Intimacy, by Michael Levenson and Karen Chase (Princeton, 2000). Nineteenth Century Literature (2001): 546–48.
  • Review of Victorian Renovations of the Novel, by Suzanne Keen (Cambridge: Cambridge UP, 1998). Journal of English and Germanic Philology (2001): 297–98.
  • “Meditations on Hypertext: A Rhetorethics for Cyborgs.” The Kinneavy Papers: Theory and the Study of Discourse. Eds. Lynn Worsham, Sidney I. Dobrin, Gary A. Olson. State University of New York Press, 2000.
  • “‘Scarcely To Be Described’: Urban Extremes as Real Spaces and Mythic Places in the London Cholera Epidemic of 1854.” Nineteenth Century Studies 14 (2000): 149–72.
  • Beyond Sensation: Mary Elizabeth Braddon in Context. State University of New York Press, 2000
  • Disease, Desire, and the Body in Victorian Women’s Popular Novels. Cambridge University Press, 1997.
 more
Imagined Londons Mapping the Victorian Social Body
Beyond Sensation: Mary Elizabeth Braddon in Context Disease, Desire, and the Body in Victorian Women’s Popular Novels

Cholera and Nation:

 The Citizen’s Body: Desire, Health, and the Social in Victorian England

Debora Greger
  • Men, Women, and Ghosts. Penguin USA, 2008.
  • Western Art. Penguin USA, 2004.
  • God. Penguin USA, 2001.
  • Desert Fathers, Uranium Daughters. Penguin USA, 1996.
 more Western Art God

Laurie Gries
  • Reprint of “An Inconvenient Tool.” Co-authored with Collin Brooke. Best Writing From Independent Composition and Rhetoric Journals: 2010 (Parlor Press, 2011).
  • “Octalog III: The Politics of Historiography in 2010.” Co-edited. Rhetoric Review 30.2 (2011).
  • “Practicing Methods in Ancient Cultural Rhetorics: Uncovering Rhetorical Action in Moche Burial Rituals.” Rhetorics of the Americas: 3114 BCE to 2012 CE. Eds. Damian Baca and Victor Villanueva (New York: Palgrave MacMillan, 2010).
  • “An Inconvenient Tool: Rethinking Slideware in the Classroom.” Co-authored with Collin Brooke. Composition Studies. 38.1 (April, 2010).
  • “Emerging Methods in Visual Rhetorics.” Review Essay. JAC (forthcoming).

H

Terry Harpold
  • “Much Like Our First Lives. (Review essay on Games of Empire: Global Capitalism and Video Games, by Nick Dyer-Witheford and Greig de Peuter [Minneapolis, MN: University of Minnesota Press, 2009]).”Science Fiction Film and Television 4.2 (2011): 271–79.
  • “The End Begins: John Wyndham’s Zombie Cozy.” Generation Zombie: Essays on the Living Dead in Modern Culture. Eds. Stephanie Boluk and Wylie Lenz (Jefferson, NC: McFarland & Co., 2011). 156–64.
  • “Where is Verne's Mars?” Visions of Mars: Essays on the Red Planet in Fiction and Science. Eds. Howard V. Hendrix, George E. Slusser, and Eric S. Rabkin (Jefferson, NC: McFarland & Co., 2011). 29–35.
  • “‘Splat! Crack!’”, a review of Craig Yoe’s Secret Identity: The Fetish Art of Superman’s Co-Creator Joe Shuster(New York: Harry N. Abrams, 2009). ImageTexT 5.3 (2010).
  • “Now you will pay a dreadful penalty!”, a review of Fantagraphic Books’s collections of the comics of Fletcher Hanks, I Shall Destroy All the Civilized Planets! and You Shall Die by Your Own Evil Creation! (ed. Paul Karasik, Fantagraphics Books, 2007, 2009). ImageTexT 5.1 (2010).
  • “Squiggle Games.” Prepare for Pictopia, eds. Peter Thaler and Lars Denicke (Berlin: Pictoplasma Publishing, 2009). 62–65.
  • “Verne’s Errant Readers: Nemo, Clawbonny, Michel Dufrénoy.”Verniana 1 (2008–09): 31–42.
  • Ex-foliations: Reading Machines and the Upgrade Path. University of Minnesota Press, 2008.
  • “Screw the Grue: Mediality, Metalepsis, Recapture.”Playing the Past: History and Nostalgia in Video Games. Eds. Zach Whalen and Laurie N. Taylor (Vanderbilt University Press, 2008). 91–108. Rev. of Harpold 2007.
  • “Jules Vernes vroege poëzie [Jules Verne’s Early Poetry].”“Jeugdherinneringen” en andere texten [“Memories of Childhood and Youth” and Other Texts]. Ed. Garmt de Vries-Uiterweerd, trans. Hein Wernik and Garmt de Vries-Uiterweerd (Dordrecht: Jules Verne Genootschap, 2008), 29–33.
  • Review of Timothy Unwin’s Jules Verne: Journeys in Writing (Liverpool University Press, 2005). Nineteenth-Century Contexts 30.2 (2008): 205–08.
  • “Screw the Grue: Mediality, Metalepsis, Recapture.” Game Studies 7.1 (2007).
  • “Reading the Illustrations of Verne’s Voyages extraordinaires: The Example of Le Superbe Orénoque.” ImageTexT 3.1 (2006).
  • “Facilis descensus Averni” – Review of Subterranean Worlds: A Critical Anthology, ed. Peter Fitting (Wesleyan University Press, 2004). Science Fiction Studies 33.2 (2006): 357–61.
  • “Un Intertexte sophocléen du Voyage au centre de la terre.” [“A Sophoclean Intertext of Journey to the Center of the Earth.”] Bulletin de la Société Jules Verne (NS) 153 (2005): 33–35.
  • “Verne, Baudelaire et Poe – La Jangada et ‘Le Scarabée d’or.’” [“Verne, Baudelaire, and Poe: La Jangada and ‘The Gold-Bug.’”] Revue Jules Verne 19–20 (2005): 162–68.
  • “The Providential Grace of Verne’s Le Testament d’un excentrique.” IRIS (Centre de recherche sur l’imaginaire, Université Stendhal-Grenoble 3) 28 (2005): 157–68. Rpt. in De Verniaan (Dordrecht: Jules Verne Genootschap) 48 (2011): 8–16.
  • “Digital Narrative.” The Routledge Encyclopedia of Narrative Theory. Eds. David Herman, Manfred Jahn, and Marie-Laure Ryan. Routledge, 2005. 108–12.
  • “Verne’s Cartographies.” Science Fiction Studies 32.1 (2005): 18–42.
  • Review of Cognitive Fictions, by Joseph Tabbi (University of Minnesota Press, 2002.) South Atlantic Review 70.2 (2005): 151–55.
  • “Hypertext.” Glossalalia. Ed. Julian Wolfreys. Edinburgh University Press, 2003. 113–26.
  • “The Contingencies of the Hypertext Link.” The New Media Reader. Eds. Noah Wardrup-Fruin and Nick Montfort. MIT Press, 2003. Rpt. of “The Contingencies of the Hypertext Link,” Writing on the Edge 2.2 (1991): 126–37.
  • Review of Masons, Tricksters and Cartographers, by David Turnbull (Harwood Academic Publishers, 1999.) Technology and Culture 43 (2002): 398–401.
  • (With Kavita Philip) “‘Party Over, Oops, Out of Time’: Y2K, Technological ‘Risk’ and Informational Millenarianism.” NMEDIAC 1.1 (2002).
  • “Thick & Thin: Direct Manipulation & the Spatial Regimes of Human-Computer Interaction.” Proceedings of SIGGRAPH 2001. ACM Press, 2001. 78–82.
  • (With Kavita Philip) “Of Bugs and Rats: Cyber-Cleanliness, Cyber-Squalor, and the Fantasy-Spaces of Informational Globalization.” Postmodern Culture 11.1 (2000).
 slug Ex-foliations: Reading Machines and the Upgrade Path

Tace Hedrick
  • “Mãe é para isso (Mother is for This): Gender, Writing and English-Language Translation in Clarice Lispector.” Luso-Brazilian Review 41.2 (2005): 56–83.
  • Review of Telling to Live: Latina Feminist Testimonios, by the Latina Feminist Group and Chicana Ways: Conversations With Ten Chicana Writers, by Karin Rosa Ikas. NWSA (National Women’s Studies Association) Journal 15 (2003): 191–94.
  • “Bloodlines That Waver South: Hybridity, the ‘South’, and American Bodies.” The Southern Quarterly. Eds. Denise Cummings, Jeff Rice, and Anne Jones. Special Issue, “Souths, Global and Local.” 42.1 (2003): 39-52.
  • Mestizo Modernism: Race, Nation and Identity in Latin American Culture, 1900–1940. Rutgers: Rutgers University Press, 2003.
  • (With Debra King). “Theorizing Love: Women of Color and Twenty-First Century Feminism.” Introducing Twenty-First Century Criticism. Ed. Julian Wolfreys. Columbia University Press, 2002. 57–85.
  • “A Latina in the Land of Hollywood.” Review of A Latina in the Land of Hollywood and Other Essays on Media Culture, by Angharad N. Valdivia. Canadian Review of Comparative Literature 27 (2002): 552–56.
  • “Are You a Pura Latina? High Heels and Ethnicity” Footnotes: On Shoes. Eds. Shari Benstock and Suzanne Ferris. Rutgers University Press, 2001. 135–55.
  • “Mi dulce y andina Rita: Women, Indigenism, and the Avant-Garde in Cesar Vallejo.” Primitivism and Identity in Latin America: Essays on Art, Literature, and Culture. Eds. Erik Camayd-Freixas and Jose E. Gonzales. University of Arizona Press, 2000. 241–66.
 more Mestizo Modernism

Susan Hegeman
  • The Cultural Return. University of California Press, 2012.
  • Associate Editor, Blackwell Encyclopedia of the Novel (Peter Logan, General Editor; Olakunle George, Susan Hegeman, and Efraín Kristal, Associate Editors; Wiley-Blackwell, 2011).
  • “By Any Other Name,“ a response to Vincent Pecora's essay “Culture as Theater/ Culture as Belief.” Criticism 49.3/4.
  • “Culture, Patriotism, and the Habitus of a Discipline or, What Happens to American Studies in Moment of Globalization?’.” Genre 38.
  • Review of Before Cultures: The Ethnographic Imagination in American Literature, 1865–1920, by Brad Evans (University of Chicago Press, 2005). Anthropological Quarterly 7.1 (2006).
  • “Williams in a New Key.” A response to New Keywords: A Revised Vocabulary of Culture, by Tony Bennett, Lawrence Grossberg, and Meaghan Morris. Criticism 47.4 (2005): 561–66.
  • “Naive Modernism and the Politics of Embarrassment.” Discipline and Practice: The (Ir)resistability of Theory. Eds. Stefan Herbrechter and Ivan Callus. Bucknell University Press, 2004.
  • “The ‘Culture’ of American Studies.” REAL (Yearbook of Research in English and American Literature) Vol. 19, 47–63 (2003): Theories of American Culture, Theories of American Studies. Eds. Winfried Fluck and Thomas Claviez.
  • “Histories of the Other.” American Literary History 15.3 (2003): 625–38.
  • Comment on “Boas, Darwin, Science, and Anthropology” by Herbert S. Lewis. Current Anthropology 42.3 (2001).
  • “Haunted by Mass Culture.” American Literary History 12.1–2 (2000): 298–317.
  • Patterns for America: Modernism and the Concept of Culture. Princeton University Press, 1999.
 The Cultural Returnmore Patterns for America

Michael Hofmann
  • (Trans.) Günther Eich, Angina Days: Selected Poems. Princeton University Press, 2010.
  • Selected Poems. Farrar, Straus, and Giroux, 2009.
  • (Trans.) Hans Fallada, Every Man Dies Alone. Melville House, 2009.
  • (Trans.) Franz Kafka, Metamorphosis and Other Stories. Penguin Classics, 2008.
  • (Trans.) Fred Wander, The Seventh Well. W.W. Norton, 2008.
  • (Trans.) Franz Kafka, The Zurau Aphorisms. Schocken, 2006.
  • (Trans.) Thomas Bernhard, Frost. Knopf, 2006.
  • (Ed.) German Twentieth Century Poetry. FSG, 2006.
  • (Trans.) Franz Kafka, Amerika: The Man Who Disappeared. New Directions Publishing Corporation, 2004.
  • (Trans.) Ernst Jünger, Storm of Steel. Penguin, 2004.
  • (Trans.) Peter Stephan Jungk, The Perfect American. Handsel Books, 2004.
  • (Trans.) Peter Stephan Jungk, Tigor. Handsel Books, 2004.
  • (Ed.) John Berryman (Poet to Poet). Faber and Faber, 2004.
  • (Trans.) Gert Hofmann, Lichtenberg and the Little Flower Girl. New Directions, 2004.
  • (Trans.) Joseph Roth, Report from a Parisian Paradise – Essays from France, 1925–1939. W.W. Norton, 2003.
  • (Trans.) Joseph Roth, What I Saw: Reports from Berlin, 1920–1933. Norton, 2003.
  • (Trans.) Wolfgang Koeppen, A Sad Affair. W.W. Norton, 2003.
  • (Trans.) Gert Hofmann, Luck. New Directions, 2002.
  • (Trans.) Joseph Roth, The Radetzky March. Granta, 2002.
  • Behind the Lines: Pieces on Writing and Pictures. Faber and Faber, 2002.
  • (Trans.) Wolfgang Koeppen, The Hothouse. W.W. Norton, 2001.
  • (Ed.) Robert Lowell (Poet to Poet). Faber and Faber, 2001.
  • (Trans.) Wim Wenders, On Film: Essays and Conversations. Faber and Faber, 2001.
  • (Trans.) Joseph Roth, The Wandering Jews. W.W. Norton, 2001.
  • (Trans.) Wim Wenders, My Time with Antonioni. Faber and Faber, 2000.
  • (Trans.) Joseph Roth, The Collected Stories. W.W. Norton, 2000.
 more German Twentieth Century Poetry more The Zurau Aphorisms
Report from a Parisian Paradise Amerika: The Man Who Disappeared
The Radetzky March Storm of Steel
Metamorphosis and Other Stories Behind the Lines
The Wandering Jew Luck
Every Man Dies Alone Selected Poems
The Seventh Well Angina Days

Sidney Homan
  • “Beer Is Technically a Vegetarian Meal.” Underground Voices (September 2010).
  • Review of Scott Newstok’s Kenneth Burke on Shakespeare. South Atlantic Bulletin 72.4 (Fall 2007): 151–56.
  • Fish in the Moonlight: Growing Up in the Bone Marrow Unit. Purdue University Press, 2008.
  • “Race and the Theatrical Mirror.”Handbook of the Sociology of Racial and Ethnic Relations. Eds. Hernan Vera and Joe Feagin.Springer, 2007. 241–62.
  • “Directing Shakespeare’s As You Like It.” Shakespeare Festivals Around the World. Ed. Marcus Gregio. Exlibris/Random House, 2004. 53–68.
  • (With Kathleen Conner) “Tears and an Actor’s Discovery: Directing Old Times.” The Pinter Review (2004): 156–70.
  • Staging Modern Playwrights: From Director’s Concept to Performance. Bucknell University Press, 2004.
  • Directing Shakespeare: A Scholar Onstage. Ohio University Press, 2003.
  • “Henry IV, Part II on Stage and Screen.” Signet Classic Shakespeare edition of Henry IV, Part II. New American Library, 2000. 249–61.
  • “Finding Pinter’s Subtext: Directing The Lover.” The Pinter Review (2000): 122–30.
 more A Fish in the Moonlight: Growing Up in the Bone Marrow Unit

K

R. Brandon Kershner
  • “The Sands Of Pleasure: Prostitution And Modernity.” The Prague Symposium issue, Hypermedia Joyce Studies (2010).
  • Rreview of Vike Plock’s Joyce, Medicine and Modernity (University Press of Florida, 2010), “The Joyce Symptom.” James Joyce Literary Supplement 24:2 (Fall 2010): 4–5.
  • “Newspapers and Popular Culture.” James Joyce in Context. Ed. John McCourt (Cambridge: CUP, 2009). 299–309.
  • “Joyce, Music, and Popular Culture.” A Companion to Joyce Studies. Ed. Richard Brown (Blackwell, 2008). 270–85.
  • “Modernity, Postmodernity and Popular Culture in Joyce and Eliot.” Modernism. Eds. Astradur Eysteinsson and Vivian Liska. John Benjamins, 2007. 607–17.
  • “Liberation.”Subtropics 2 (2006): 112.
  • “A Review of Mark Wollaeger’s Casebook on Portrait of the Artist.” James Joyce Quarterly 41.4: 857–60.
  • (Ed.) James Joyce, A Portrait of the Artist as a Young Man. 2d ed. Bedford / St. Martin’s Press, 2006.
  • “James Joyce” and “Mikhail Bakhtin.” Encyclopedia of Literature and Politics. Ed. M. Keith Booker. Greenwood Press, 2005.
  • “A Review of Judith Kitchen’s The House on Eccles Street.”James Joyce Quarterly 40.4.
  • “Family Resemblances in Dubliners.” A New and Complex Sensation: Essays on Joyce’s Dubliners Ed. Oona Frawley. Lilliput Press, 2004. 168–73.
  • “Dialogical and Intertextual Joyce.” James Joyce Studies Ed. Jean-Michel Rabaté. Palgrave Macmillan, 2004. 183–202.
  • “The Reader, the Frame, and Impressionism in Heart of Darkness,” Conradiana 53.1–2 (2003): 41–48.
  • (Ed.)Cultural Studies of James Joyce. Rodopi, 2003.
  • “Harold Nicolson’s Visit with Joyce.” James Joyce Quarterly (Winter 2002): 325–30.
  • “A Review of Christy L. Burns’s Gestural Politics: Stereotype and Parody in Joyce” and Derek Attridge’s Joyce Effects: On Language, Theory, and History. Novel 35.1 (2002): 142–45.
  • “Framing Rudy and Photography.” Joyce and the Joyceans. Ed. Morton P. Levitt. Syracuse University Press, 2002. 70–90.
  • “A Review of Annette Federico’s Idol of Suburbia: Marie Corelli and Late-Victorian Literary Culture.” Clio 313 (2002): 334–37.
  • “Family Resemblances in Dubliners.” “Dubliners”: Lectures, Critiques/Critical Approaches. Ed. Claudine Raynaud. GRAAT, 2000. 47–52.
  • “Mikhail Bakhtin and Bakhtinian Criticism” and “Notes Toward a Reading of A Portrait of the Artist.” Introducing Literary Theories: A Guide and Glossary Ed. Julian Wolfreys. Edinburgh University Press, 2001. 19–32.
  • The Twentieth-Century Novel: An Introduction. Bedford / St. Martin’s Press, 1997.
  • (Ed.)Joyce and Popular Culture. University Press of Florida, 1996.
A Portrait of the Artist as a Young Man Cultural Studies of James Joyce

Kenneth Kidd
  • Freud in Oz: At the Intersections of Psychoanalysis and Children’s Literature. University of Minnesota Press, 2011.
  • Associate Editor, Children’s Literature Association Quarterly.
  • “The Child, the Scholar, and the Children’s Literature Archive.”The Lion and the Unicorn 35.1 (January 2011): 1–23.
  • (Ed. with Michelle Ann Abate) Over the Rainbow: Queer Children’s and Young Adult Literature.(University of Michigan Press, 2011).
  • “Queer Theory’s Child and Children’s Literature Studies.” PMLA 126.1 (January 2011): 182–88.
  • “‘Not Censorship but Selection’: Censorship and/as Prizing.” Children's Literature in Education 40.3 (2009): 197–216.
  • “Outing Dumbledore.” Children's Literature Association Quarterly 33.2 (2008): 186–7.
  • “Down the Rabbit Hole.” Review of Lost Girls. ImageTexT 3.3 (2007)
  • “Prizing Children’s Literature: The Case of Newbery Gold.”Children’s Literature 35 (2007): 166–90.
  • “How to Make a Children’s Classic: The Middlebrow Projects of Louise Seaman Bechtel and Morton Schindel.” The Journal of Children’s Literature Studies 3.2 (2006): 51–79.
  • “A is for Auschwitz: Psychoanalysis, Trauma Theory, and the ‘Children’s Literature of Atrocity.’” Children’s Literature 33 (2005): 120–49.
  • “Bruno Bettelheim and the Psychoanalytic Feral Tale.” American Imago 62.1 (Spring 2005): 75–99.
  • “Leave It to Badger: Allan W. Eckert’s Incident at Hawk’s Hill.” The Looking Glass: An Online Children’s Literature Journal 8.3 (September 2004).
  • (Ed. with Sidney Dobrin) Wild Things: Children’s Culture and Ecocriticism. Wayne State University Press, 2004.
  • Making American Boys: Boyology and the Feral Tale. University of Minnesota Press, 2004.
  • “He’s Gotta Have It: Teen Film as Sex Education.” Sexual Pedagogies: Sex Education in Britain, Australia, and America, 1879–2000. Eds. Claudia Nelson and Michelle H. Martin. Palgrave Macmillan, 2004. 95–112.
  • “Psychoanalysis and Children’s Literature: The Case for Complementarity.” The Lion and the Unicorn 28.1 (2004): 109–30.
  • “Children’s Culture, Children’s Studies, and the Ethnographic Imaginary.” Children’s Literature Association Quarterly 27.3 (2002): 146–55.
  • “Raised by Gazelles: Queer Boys and the Feral Tale.” (Published in Japanese.) Anglophone Literatures/English Literatures. Eds. Kozo Yokoyama, Etsuko Taketani, Shingo Nagaoka, Motoko Nakada, and Eriko Yamaguchi. Jinbun Shoin, 2002. 380–95.
  • Untitled letter. Letters to J. D. Salinger. Eds. Chris Kubica and Will Hochman. University of Wisconsin Press, 2002. 160–64.
  • “Gay and Lesbian Literature for Children and Young Adults.” The Cambridge Guide to Children’s Books in English. Ed. Victor Watson. Cambridge University Press, 2001. 281–82.
  • “Boyology in the Twentieth Century.” Children’s Literature 28 (2000).
 Making American Boys: Boyology and the Feral Tale Wild Things: Children’s Culture and Ecocriticism
Freud in Oz Over the Rainbow:Queer Children's and Young Adult Literature

Debra Walker King
  • African Americans and the Culture of Pain. University of Virginia Press, 2008.
  • “The Not-So-Harmless Social Function of a Word that Wounds.”Handbook of the Sociology of Racial and Ethnic Relations. Eds. Hernan Vera and Joe Feagin. Springer, 2007. 101–14.
  • “Boundary-Breaking Courage.” The Southern Literary Journal 37.2 (2005): 145–51.
  • (With Tace Hedrick) “Race Theory and Feminist Women of Color.” Introducing 21st Century Criticism. Ed. Julian Wolfreys. Edinburgh University Press, 2002. 57–85.
  • Review of Recovering the Black Female Body: Self Representations by African American Women, by Michael Bennett and Vanessa D. Dickerson (eds.). African American Review 36.1 (2002): 150.
  • “Writing in Red Ink.” Body Politics and the Fictional Double. Ed. Debra Walker King. Indiana University Press, 2000. 56–70.
  • (Ed.)Body Politics and the Fictional Double. Indiana University Press, 2000.
  • Deep Talk: Reading African American Literary Names. University Press of Virginia, 1998.
 Deep Talk: Reading African American Literary Names and Naming   Body Politics and the Fictional Double
African Americans and the Culture of Pain

L

John Leavey
  • (Ed.) Jacques Derrida’s Parages. Trans. Tom Conley, James Hulbert, John Leavey, and Avital Ronell. Stanford University Press, 2011 (forthcoming).
  • “Possessed of and by: Up against Seeing: Princess Mononoke.” ImageTexT: Interdisciplinary Comics Studies 5.2 (2010).
  • “Contretemps: Qu’est-ce qui arrive? Two Texts, Divided in Two, After Glas: Who? What?” Special Issue: “Who?” or “What?”—Jacques Derrida, ed. Dragan Kujundzic. Discourse: Journal for Theoretical Studies in Media and Culture 30:1–2 (Winter and Spring 2008): 54–70.
  • “Illegibility: On the Spirit of Origins.” Ed. Martin McQuillan and Ika Willis, The Origins of Deconstruction. Palgrave Macmillan, 2009. 195–210.
  • “From Socrates to Electracy and Beyond: After (:) The Technological Condition.”Derrida Today 1:1 (2008): 59–75.
  • “The First Time Somewhere Twice: Antonomasia on (the) Pain of Extinction.” Deconstruction Reading Politics, ed. Martin McQuillan. Palgrave Macmillan, 2008. 22–31.
  • “(c)(s)i(gh)ting the ungovernable translation: The Ascuity of Terminal Readings.”The J. Hillis Miller Reader, ed. Julian Wolfreys. Stanford University Press, 2004. 391–99.           
  • “Q&A: Whims, Whim-Whams, Whimsies, and the ‘Responsiveble’ Interview.” Interview by Julian Wolfreys. Thinking Difference. Fordham University Press, 2004. 90–98.
  • ”“Crazy Quilt(ing)(s).”“Glossalalia: An Alphabet of Critical Keywords, ed. Julian Wolfreys. Edinburgh University Press, 2003. 241–58.
  • “Gegenzeichnungen: Übersetzung und Pas.” Trans. from the English by Plath and Patenburg. Nils Plath and Volker Pantenburg, eds., Anführen—Vorführen—Aufführen: Texte zum Zitieren. Bielefeld: Aisthesis Verlag, 2002. 235–54.
  • “Translation/citation: An Interview with John P. Leavey Jr.” by Dawne McCance. Mosaic 35:1 (March 2002): 1–20.
  • “A new International?” Parallax 20 (7:3 [2001]): 4–5.

David Leavitt
  • (Editor) Subtropics.
  • The Indian Clerk. Bloomsbury USA, 2007.
  • The Man Who Knew Too Much: Alan Turing and the Invention of the Computer. W.W. Norton, 2005.
  • The Body of Jonah Boyd: A Novel. Bloomsbury USA, 2004.
  • Collected Stories. Bloomsbury USA, 2003.
  • Florence, A Delicate Case. Bloomsbury USA, 2002.
  • The Marble Quilt. Houghton-Mifflin, 2001.
  • (With Mark Mitchell). In Maremma: Life and a House in Southern Tuscany. Counterpoint Press, 2001.
  • Martin Bauman: Or, A Sure Thing. Houghton-Mifflin, 2000.
  • (Editor with Mark Mitchell) Pages Passed from Hand to Hand: The Hidden Tradition of Homosexual Literature in English from 1748 to 1914. Houghton-Mifflin, 1998.
  • Arkansas: Three Novellas. Houghton-Mifflin, 1997.
  • (With Mark Mitchell). Italian Pleasures. Chronicle Books, 1996.
  • While England Sleeps. Mariner Books, 1995.
 Subtropics The Man Who Knew Too Much: Alan Turing and the Invention
While England Sleeps Collected Stories
Martin Bauman Florence, A Delicate Case
The Indian Clerk: A Novel The Body of Jonah Boyd: A Novel

William Logan
  • Our Savage Art: Poetry and the Civil Tongue. Columbia University Press, 2009.
  • Strange Flesh. Penguin USA, 2008.
  • The Whispering Gallery. Penguin USA, 2005.
  • The Undiscovered Country. Columbia University Press, 2005.
  • (Ed.) Donald Justice, Collected Poems. Knopf, 2004.
  • Macbeth in Venice. Penguin USA, 2003.
  • Desperate Measures. University Press of Florida, 2002.
  • (Ed.) Randall Jarrell, Poetry and the Age: Expanded Edition. University Press of Florida, 2001.
  • Night Battle. Penguin Books, 1999.
  • Reputations of the Tongue: On Poets and Poetry. University Press of Florida, 1999.
  • Vain Empires. Penguin Books, 1998.
  • (Ed. with Dana Gioia) Certain Solitudes: On the Poetry of Donald Justice. University of Arkansas Press, 1998.
  • All the Rage. University of Michigan Press, 1998.
  • Sullen Weedy Lakes. David Godine, 1988.
  • Difficulty. David Godine, 1985.
  • Sad-faced Men. David Godine, 1982.
 Vain Empires Macbeth in Venice
Certain Solitudes: On the Poetry of Donald Justice Night Battle
Reputations of the Tongue: On Poets and Poetry All the Rage
Our Savage Art: Poetry and the Civil Tongue Desperate Measures

M

Barbara Mennel
  • “Alina Bronsky, Scherbenpark: Global Ghetto Girl.” Emerging German-Language Novelists of the Twenty-First Century. Eds. Lyn Marven and Stuart Taberner. (Camden House, 2011). 162–178.
  • “Ueberkreuzungen in globaler Zeit und globalem Raum in Fatih Akins Auf der anderen Seite.” Kultur als Ereignis: Fatih Akins Film “Auf der anderen Seite” als transkulturelle Narration (Bielefeld, transcript 2010). 95–118.
  • “The Global Elsewhere: Ursula Biemann’s Multimedia Countergeography.”The Collapse of the Conventional: German Film and Its Politics at the Turn of the Twenty-First Century (Wayne State University Press, 2010). 333–59.
  • (Co-edited with Jaimey Fisher) Spatial Turns: Space, Place, and Mobility in German Literature and Visual Culture. Rodopi, 2010.
  • “Criss-Crossing in Global Space and Time: Fatih Akin’s The Edge of Heaven.” Transit: A Journal of Travel, Migration and Multiculturalism in the German-Speaking World (2010).
  • “Feminism’s Sex Wars and the Limits of Governmentality.” Governing the Female Body: Health, Gender, Networks of Power. Eds. Lori Reed and Paula Saukko. State University of New York Press, 2010. 253–270.
  • “Globales Migrationskino, der Ghetto Flâneur, und Thomas Arslans ‘Geschwister.’” Mann wird man: Geschlechtliche Identitäten im Spannungsfeld von Migration und Islam. Eds. Lydia Potts and Jan Kühnemund. Bielefeld: Transcript, 2008. 53–64.
  • Cities and Cinema. Routledge, 2008.
  • The Representation of Masochism and Queer Desire in Film and Literature. Palgrave Macmillan, 2007.
  • “Returning Home: The Orientalist Spectacle of Fritz Lang’s Der Tiger von Eschnapur and Das indische Grabmal.” Take Two: Fifties Cinema in Divided Germany. Eds. John Davidson and Sabine Hake. Berghahn Books, 2007.
  • “Political Nostalgia and Local Memory: The Kreuzberg of the 1980s in Contemporary German Film.” The Germanic Review 82.1 (2007): 54-77.
  • “Negotiating Major and Minor Literature Through Masochism: Leopold von Sacher-Masoch and Ingeborg Bachmann.” Filled With Many-Splendored Words: Papers on Culture, Language and Literature in Honour of Prof. Dr. Fritz Hans König. Eds. Alicja Witalisz, Dieter Jandl, Karl Odwarka, Heinz Dieter Pohl and Wladyslaw Witalisz. Krosno: Panstowa Wyzsza Szkola Zawodowa, 2005. 173–79.
  • “Masochism, Marginality, and Metropolis: Kutlug Ataman’s Lola and Billy the Kid.” Studies in Twentieth Century Literature 28.1 (2004): 289–318.
  • “Shifting Margins and Contested Center: Changing Cinematic Visions of (West) Berlin.” Berlin: The Symphony Continues. Eds. Carol Anne Constabile-Heming, Rachel J. Halverson, and Kristie Foell. Berlin: Walter de Gruyter, 2004. 41–58.
  • “White Law and the Missing Black Body in Fritz Lang’s Fury (1936).” Quarterly Review of Film and Video 20.3 (2003): 203–23.
  • “Bruce Lee in Kreuzberg and Scarface in Altona: Transnational Auteurism and Ghettocentrism in Thomas Arslan’s Brothers and Sisters and Fatih Akin’s Short Sharp Shock.” New German Critique 87 (2002): 133–56.
  • “Local Funding and Global Movement: Minority Women’s Filmmaking and the German Film Landscape of the Late 1990s.” Women in German Yearbook 18 (2002): 45–66.
  • “Leopold von Sacher-Masoch’s Historical Novel Der weibliche Sultan (1873): Public Sadism/Private Masochism.” Modern Austrian Literature 34.1/2 (2001): 1–14.
  • (With Amy Obugo Ongiri) “In a Desert Somewhere between Disney and Las Vegas: The Fantasy of Interracial Harmony and American Multiculturalism in Percy Adlon’s Bagdad Café.” Camera Obscura 44 (2001): 151–75.
  • “‘Euch auspeitschen, ihr ewigen Masochistinnen, euch foltern, bis ihr den Verstand verliert’: Masochismus in Ingeborg Bachmanns Romanfragment Das Buch Franza.” “Über die Zeit schreiben”: Literatur- und kulturwissenschaftliche Essays zum Werk Ingeborg Bachmanns 2. Eds. Monika Albrecht and Dirk Göttsche. Würzburg: Königshausen und Neumann, 2000. 111–27.
  • “Masochistic Fantasy and the Racialized Fetish in Rainer Werner Fassbinder’s Ali: Fear Eats Soul.” One Hundred Years of Masochism: Literary Texts, Social and Cultural Contexts. Eds. Michael Finke and Carl Niekerk. Atlanta, GA: Rodopi, 2000. 191–205.
 "" Cities and Cinema The Representation of Masochism and Queer Desire in Film and Literature Spatial Turns

toptop